The Violin: Its Famous Makers and Their ImitatorsHart, George
History
The Violin: Its Famous Makers and Their Imitators
Hart, George
Violin -- History; Violin makers -- Biography
"Then he went on to inform me that it did not lie in any peculiarity
in the model, though there was something in that; nor in the wood of
the back, though there was something in that; nor in the fine and
regular grain of the pine which formed the belly, though there was
something in that; nor in the position of the grain running precisely
parallel with the strings, though there was something in that; nor in
the sides, nor in the finger-board, nor in the linings, nor in the
bridge, nor in the strings, nor in the waist, though there was
something in all of them; nor yet in the putting together, though
there was much in that.
"'Where does it lie, then, Mr. Schnapps?'
"'Ah, der henker! hang if I know.'
"'Has age much to do with it, think you?'
"'Not mosche. Dere is pad Pfeedels two hunder years ole as vell as
goot vons; and dere is goot Pfeedels of pad models, vitch is made fery
pad, and pad Pfeedels of de fery pest models, and peautiful made as
you sall vish to see.'
"This is the sum total of the information to be got out of Schnapps on
that mysterious subject. On other matters he can pronounce with
greater exactness. He knows every Cremona in private or professional
hands in the whole kingdom; and where the owner bought it, if he did
buy it; and what he gave for it, or from whom he inherited it, if it
came to him as heir-loom. Of those of them which have passed through
his hands, he has got fac-similes taken in plaster, which serve as
exemplars for his own manufactures. Upon the death of the owner of one
of these rarities, Schnapps takes care to learn particulars; and if
the effects of the deceased come under the hammer, he starts off to
the sale, however distant, where, unless some of his metropolitan
rivals in trade have likewise caught the scent, he has the bidding all
his own way, and carries off the prize.
"The inundation of German Fiddles, which may be bought new for a few
shillings, has swamped English makers of cheap instruments, of which
there are by this time five times as many in the market as there is
any occasion for. Hence it is that Fiddles meet us everywhere; they
cumber the toy-shop; they house with the furniture dealer; they swarm
by thousands in the pawnbrokers' stores, and block out the light from
his windows; they hang on the tobacconists' walls; they are raffled at
public-houses; and they form an item in every auctioneer's catalogue.
"Meanwhile the multiplication of rubbish only enhances the value of
gold; and a Fiddle worthy of an applauding verdict from old Borax is
more difficult of acquisition than ever. So I shall keep my Cremona."
THE PRINCE AND THE FUGAL VORTEX.
A Royal amateur and British Admiral, a lover of the Violin and patron
of music, happened whilst at Malta to be leading Mozart's charming
Quartet in G major--
[Illustration: _Allegro vivace assai_.]
Public-domain text, read in full here on John Shaqi.
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