Grosset, Paul Francois . . . . . . . . . . . . . . . . . . . . . 242 Gross-Geige, The . . . . . . . . . . . . . . . . . . . . . . . . 20 Grulli, Pietro . . . . . . . . . . . . . . . . . . . . . . . . . 121 Guadagnini, Antonio . . . . . . . . . . . . . . . . . . . . . . 126 Guadagnini, Carlo . . . . . . . . . . . . . . . . . . . . . . . 126 Guadagnini, Francesco and Giuseppe, now living at Turin . . . . 126 Guadagnini, Gaetano . . . . . . . . . . . . . . . . . . . . . . 125 Guadagnini, Giovanni Battista, pupil of Stradivari; description of his work . . . . . . . . . . . . . . . . . . . . . . . . . 123 Guadagnini, Giuseppe . . . . . . . . . . . . . . . . . . . . . . 125 Guadagnini, Lorenzo, the first of his family; high character of his work . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Guarneri, Andrea, the pioneer of his family; pupil of Amati; his Violins and Violoncellos . . . . . . . . . . . . . . . . . . . 126 Guarneri, at a discount . . . . . . . . . . . . . . . . . . . . 458 Guarneri, Giuseppe (son of Andrea); originality of his style, and peculiarity of his sound-holes; character of his varnish; high value of his Violins, Violas, and Violoncellos . . . . . 129 Guarneri, Giuseppe (del Gesu); his peculiar cypher; probably a pupil of his cousin Giuseppe; his fertility of design; traditions as to his "prison Fiddles;" three orders of copyists; Paganini's Guarneri . . . . . . . . . . . . . . 132-147 Guarneri, Pietro (brother of Giuseppe filius Andrae), description of his work . . . . . . . . . . . . . . . . . . . 131 Guarneri, Pietro (son of Giuseppe filius Andrae) . . . . . . . . 132 Guersan, Louis . . . . . . . . . . . . . . . . . . . . . . . . . 242 Gugemmos . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264 Guidanti, Giovanni (Joannes Guidantus), specimen at exhibition of Milan, 1881; character of his work . . . . . . . . . . . . 147 Guillami . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Gunn, John, his essay on stringed instruments . . . . . . . . . 7 H Habeneck, Francois Antoine, composer . . . . . . . . . . . . . . 395 Haensel, Johann A. . . . . . . . . . . . . . . . . . . . . . . . 264 Hamberger, Joseph . . . . . . . . . . . . . . . . . . . . . . . 264 Hamm, Johann Gottfried . . . . . . . . . . . . . . . . . . . . . 264 Hammig, W. H. . . . . . . . . . . . . . . . . . . . . . . . . . 264 Handel, George Frederick, and the Royal Society of Musicians, 399; influence of his works on Violin-playing . . . . . . . . 405 Harbour . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Hardie, Matthew . . . . . . . . . . . . . . . . . . . . . . . . 314 Hardie, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . 314 Hare, John . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Hare, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Harris Charles, an excellent copyist, Italian mode . . . . . . . 315