Otto, Jacob August . . . . . . . . . . . . . . . . . . . . . . . 268 Otto, Ludwig . . . . . . . . . . . . . . . . . . . . . . . . . . 268 Ouvrard, Jean . . . . . . . . . . . . . . . . . . . . . . . . . 250 P Pacherel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Pacherele, Michel . . . . . . . . . . . . . . . . . . . . . . . 250 Paganini's Guarneri Violin, where now deposited, and anecdote of, 340; extraordinary character of his work and career . . . 392 Paganini, Leigh Hunt on . . . . . . . . . . . . . . . . . . . . 469 Pamphilon, Edward . . . . . . . . . . . . . . . . . . . . . . . 325 Pandolfi, Antonio . . . . . . . . . . . . . . . . . . . . . . . 158 Panormo, George Lewis . . . . . . . . . . . . . . . . . . . . . 325 Panormo, Joseph, excellent work . . . . . . . . . . . . . . . . 325 Panormo, Louis . . . . . . . . . . . . . . . . . . . . . . . . . 325 Panormo, Vincenzo; follower of Antonio Stradivari, and famous as a genuine copyist; his struggles with adversity; comparison of his work with that of Lupot . . . . . . . . . . . . . . . . . 158 Pansani, Antonio . . . . . . . . . . . . . . . . . . . . . . . . 160 Paolo Veronese, his picture of "The Marriage of Cana" . . . . . 376 Parker, Daniel, a good Old English maker . . . . . . . . . . . . 325 Parth, Andreas Nicholas . . . . . . . . . . . . . . . . . . . . 268 Pasta, Antonio . . . . . . . . . . . . . . . . . . . . . . . . . 160 Pasta, Domenico . . . . . . . . . . . . . . . . . . . . . . . . 160 Paul, Saint . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Pazzini, G. . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Pearce, James . . . . . . . . . . . . . . . . . . . . . . . . . 326 Pedigree of the family of Antonio Stradivari . . . . . . . . . . 179 Pemberton, Edward . . . . . . . . . . . . . . . . . . . . . . . 326 Perry and Wilkinson, good quality and finish . . . . . . . . . . 326 Pfretzschner, Carl Friedrich . . . . . . . . . . . . . . . . . . 269 Pfretzschner, Gottlob . . . . . . . . . . . . . . . . . . . . . 268 Philharmonic Society, and Michael C. Festing . . . . . . . . . . 398 Philip V. of Spain, his visit to Cremona . . . . . . . . . . . . 204 Phillips, a Welsh Violinist, Dr. Johnson's Epitaph on . . . . . 431 Picino, G. . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Pierray, Claude, excellent work, Italian character, good varnish; an example possessed by Tom Britton . . . . . . . . . 250 Piete, N. . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Pique, F. L., copyist of Stradivari, school of Lupot; good material and workmanship . . . . . . . . . . . . . . . . . . . 251 Pirot, Claude . . . . . . . . . . . . . . . . . . . . . . . . . 252 Plack, F. . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 Platner, Michel, resemblance of his work to that of Tecchler . . 160 Pleasures of Imagination . . . . . . . . . . . . . . . . . . . . 497