Tobin, Richard . . . . . . . . . . . . . . . . . . . . . . . . . 329 Todini, Michele, his musical clock-work, and new mode of stringing the Violono . . . . . . . . . . . . . . . . . . . . 220 Tononi, Carlo Antonio . . . . . . . . . . . . . . . . . . . . . 221 Tononi, Carlo, excellent work and varnish . . . . . . . . . . . 221 Tononi, Felice . . . . . . . . . . . . . . . . . . . . . . . . . 222 Tononi, Giovanni, high-class work . . . . . . . . . . . . . . . 222 Tononi, Guido . . . . . . . . . . . . . . . . . . . . . . . . . 222 Traditional History of Cremonese makers (see Ceruti, Enrico) . . 108 Trapani, Raffaele . . . . . . . . . . . . . . . . . . . . . . . 222 Trinity in Unity, Musical illustration of . . . . . . . . . . . 423 Troubadours and Trouveres . . . . . . . . . . . . . . . . . . . 10 Tywersus . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254 U Urquhart, Thomas, high-class work and excellent varnish . . . . 329 V Vaillant, Francois . . . . . . . . . . . . . . . . . . . . . . . 254 Valentine William . . . . . . . . . . . . . . . . . . . . . . . 329 Valenzano, G. M. . . . . . . . . . . . . . . . . . . . . . . . . 222 "Varnish, Dodd's" . . . . . . . . . . . . . . . . . . . . . . . 302 Varnish, Italian, that of the several Schools compared . . . . . 70 Venetian Catlins . . . . . . . . . . . . . . . . . . . . . . . . 46 Veracini, Solo Violinist, 208, 379; J. B. Volumier, and Stradivari . . . . . . . . . . . . . . . . . . . . . . . . . . 207 Veronese, Paolo, his "Marriage at Cana" . . . . . . . . . . . . 375 Veron, Pierre . . . . . . . . . . . . . . . . . . . . . . . . . 255 Vetrini, Battista . . . . . . . . . . . . . . . . . . . . . . . 222 Vibrecht, Gysbert . . . . . . . . . . . . . . . . . . . . . . . 255 Vieuxtemps, Henri, his Concertos . . . . . . . . . . . . . . . . 396 Vimercati, Paolo . . . . . . . . . . . . . . . . . . . . . . . . 222 Viola da Braccia, The . . . . . . . . . . . . . . . . . . . . . 13 Viola di Bordone, The . . . . . . . . . . . . . . . . . . . . . 270 Violin, construction of the, 27; three-stringed, 25; four-stringed, 26; acoustical properties of the . . . . . . . 30 Violin, Tartini on the art of Playing . . . . . . . . . . . . . 501 Violins, from a medical point of view . . . . . . . . . . . . . 424 Violin, The, and its Votaries . . . . . . . . . . . . . . . . . 331 Violinist, An indefatigable . . . . . . . . . . . . . . . . . . 495 Violono, or Bass-Viol, of Gasparo da Salo . . . . . . . . . . . 24 Viols, Ancient, by Hieronymus Brensius . . . . . . . . . . . . . 103 Viols in connection with Madrigal and with Church Service . 21, 377 Viotti, Giovanni Battista, high character of his compositions . 390 Voel, E., excellent character of work . . . . . . . . . . . . . 282 Vogel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282 Vogler, Johann Georg . . . . . . . . . . . . . . . . . . . . . . 283