The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
The provoking impertinence of Rumour, with her thousand busy tongues
darting conjecture and accusation, drew forth, at Paris, as at Vienna,
some effort at self-defence on the part of the assailed Artist. His
letter to the Editor of the _Révue Musicale_ may claim a place here (in
translated form), as well for its pleasantry and ingenuity, as for the
clue it affords to the origin of some of the slanderous liberties which
had and have been taken with his character. Of this letter, it
subsequently appears that the materials were furnished by Paganini, and
the diction arranged by his friend, M. Fétis:—
“Sir,
_Paris, 21 April, 1831._
“So many marks of kindness have been lavished on me by the
Parisian public,—so many plaudits have been awarded to me,—that I
am bound to give credit to that celebrity which is said to have
preceded my arrival. But, if any doubt on the subject could have
remained, it must have been dissipated by the care I see taken by
your artists to make representations of my likeness,—by the
numerous portraits of Paganini, more or less like the original,
with which the walls of your capital are covered. It is not,
however, to simple portraits, Sir, that their speculations are
confined. While walking yesterday along the Boulevard des
Italiens, I saw, in a print-shop, a lithograph representing
_Paganini in prison_. “Well!” said I to myself, “here have we
some worthy citizen who, in imitation of Don Bazilio, has been
turning to account the calumny which has pursued me for the last
fifteen years.” While smilingly examining all the details of this
mystification with which the fancy of the artist had furnished
him, I perceived that a numerous circle had gathered around me,
and that every one, as he compared my features with those of the
young man represented in the lithograph, was taking pains to
satisfy himself as to the degree in which I was altered since the
period of my imprisonment! Thus I found that the thing was taken
_au sérieux_, and that the speculation, at least, was no bad one.
It occurred to me that, as every one _must live_, I might as
well, of myself, furnish a few anecdotes to those enterprising
persons who take so much interest in me and my affairs; so that,
if so disposed, they may have a few more subjects for prints, as
good, and quite as true, as that in question. It is with this
view that I beg you, Sir, to do me the favour of inserting this
letter in your Musical Review.
Public-domain text, read in full here on John Shaqi.
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