FRANÇOIS JOSEPH GOSSEC, a composer of some eminence, though not expressly for the violin, fixed his residence at Paris in 1751, and was soon afterwards attached to the suite of the Prince de Condé, as leader of his band. In 1770, he founded the Concert of Amateurs, which enjoyed a marked success during ten seasons, and had the accomplished but volatile Chevalier de St. George for its “premier violon.” Gossec subsequently filled an important post at the _Conservatoire_, and was, in other respects, actively connected with the progress of music in France. He died “full of days.” The symphonies of this master, and the Quartetts of Davaux, which preceded, in France, those of Haydn, are cited as advantageous specimens of French instrumental music of the concerted kind; and some of them are still heard with pleasure. PAGIN, who drew his excellence from that best fountain, the Italian school, was born in France, in the year 1730. Addicting himself early to the violin, and prompted by the desire to form his style on the purest model, he travelled into Italy, expressly to receive instructions from Tartini. His happy disposition for the art was turned to speedy advantage by that master, and Pagin had scarcely reached his twentieth year ere he returned to Paris, where the success that attended him, in various performances at the _Concert Spirituel_, attested the value of the means which he had taken for his proficiency. His enthusiasm, however, in relation to his great preceptor, occasioned a check to his career. He chose to play, exclusively, the music of Tartini and the French musicians, resenting his choice, set about to oppose him. Their jealousy, whether alarmed for national or for individual credit, took an ingenious method of working out its purpose: it was by the ironical applauses and sinister compliments which he received, at one of the above concerts, that the unwelcome innovator was compelled to forego appearing at any more of them. He was subsequently engaged in the suite of the Count de Clermont. Dr. Burney, who heard him in 1770, has recorded his admiration of the expression and lightness that distinguished his performance.