F. HIPPOLITE BARTHÉLÉMON, a fine performer of the old school, was born at Bordeaux, in 1741. In the early part of his life, he served awhile as a midshipman in the navy of the King of Spain; but Apollo soon asserted his claims above those of Mars, and Barthélémon resigned himself to that softer sway. After pursuing his new career for a time in Paris, where he composed an opera for the Italian Theatre, he came over to England in 1765. Here also he produced an opera for the Italian stage, through the success of which he became acquainted with Garrick, and received from him a musical commission, which was settled for in a way that evinced the accustomed parsimony of that great actor and little manager. As leader of the Opera band for several seasons, and solo performer on various public occasions, Barthélémon gave ample proofs of his mastery over the violin. His adagios in particular were much admired, and his extempore cadences were so scientific and appropriate as, to seem like the natural continuation of the composer’s own ideas. Among his engagements while in London, was that of leading the band at Vauxhall Gardens; in which situation he once figured as a principal in a whimsical occurrence. It chanced, one night, when the gardens were full of fashionable company, and the stream of music was at high tide, that a bewildered _bat_, which had winged its eccentric course for some time about the walks, to the discomposure of the visitors, found its way into the illuminated orchestra, and, after having made two or three circuits there, flew into Barthélémon’s face, with so forcible a familiarity as to unseat him from his eminence, and precipitate him, wholly frighted from his propriety, to the floor. He fell on his ceremonial sword, which, in breaking his fall, was itself broken; and he was picked up in a condition which fortunately did not forbid his joining in the general chorus of laughers; nor did he fail to congratulate himself, that, in falling on his own sword, he had _not_ done so after the old Roman fashion[47]. One of Barthélémon’s points of excellence consisted in his _solo_ performances of Corelli’s music, in which his sweetness and polished taste were charmingly manifested. He and Salomon are supposed to have been the last, who made it a regular habit to study, and to perform in public, the compositions of Corelli. Barthélémon died in London, in the year 1808.