The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
Returning to his native land, with a now brilliant renown, De Beriot was
presented to King William, who, although he had little love for music,
understood the necessity of assuring the independence of a young artist
who gave such promise of becoming an honour to his country. He granted
him a pension of 2000 florins, with the title of “first violin solo” in
his private band. The Revolution of 1830 deprived De Beriot of these
advantages.
It was at one time objected to this artist, that, bounding the scope of
his talent to the composing and playing of Airs with Variations, he shut
himself up within too confined a sphere. Of this reproach he cleared
himself, by the composition of _Concertos_, which he played on various
occasions, and wherein he discovered grander proportions, both as to
conception and execution. The last of these Concertos is full of
originality.
A marked incident in the life of this artist, was his hymeneal
engagement with the celebrated Malibran; and the close opportunities
thus possessed of hearing that accomplished woman, appear to have
exercised the happiest influence on his own talent. At Naples, where he
appeared at a concert given at the Theatre _San Carlos_, he obtained an
enthusiastic success, very uncommon among the Italians; for that nation,
passionate in its admiration of _song_, pays usually a lower degree of
homage to _instrumentalists_.—An anecdote or two may serve to close our
notice of this eminent artist. One of our own violinists, more noted for
his execution than his feeling, was once complaining to him that he
found he could produce very little effect with his (De Beriot’s) _airs
variés_.—“_C’est qu’il y faut de l’âme!_” (“What they require, is
_soul_”) was the laconic reply of the Belgian.
An auditor at one of the concerts here, in which De Beriot was to
exhibit his powers being previously unacquainted with the person of the
great artist, inquired of a neighbouring sitter (apparently French)
whether _that_ were De Beriot—indicating, at the same time, the
individual on whom his supposition rested. The foreign gentleman made
answer in the affirmative; adding, with enthusiasm, and in English of
his own modification, “Sare, you may be sure dat dere is _bot won_ De
Ber-r-r-riot!”
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