JOHN PETER SALOMON was born at Bonn, in 1745. Director, purveyor, composer and performer, he was one of those whom the musical historian must delight to honour. He was educated for the law; but the voice of music was too powerful within him to be restrained. While very young, he became a performer in the Electoral Chapel at Bonn. In 1781 he went to Paris, with a result of more fame than profit. His enterprising spirit, regulated by discretion, found a happier field in London, where his cheerful disposition, polished manners, good sense, and general attainments, soon obtained for him the friendship of all who at first patronized him for his professional talents. His concerts in 1791 form an epoch in musical history—for, to them we are indebted for the production of Haydn’s twelve Grand Symphonies, known everywhere as “composed for Salomon’s Concerts.” Salomon had formed his project, and digested its details, in the previous year. In order to give every possible effect, as well as _éclat_, to his concerts, he determined to engage that “par nobile,” Haydn and Mozart, not only to write exclusively for them, but to conduct their compositions in person. For this purpose he went to Vienna, where, after several interviews with both these great musicians, it was mutually agreed that Haydn should go to London the first season, and Mozart the next. They all dined together on the day fixed for the departure of the two travellers. Mozart attended them to the door of their carriage, wishing them every success, and repeating, as they drove off, his promise to complete his part of the agreement the following year. This, however, was an abortive hope. _L’homme propose, Dieu dispose_:—Mozart, who had filled a short life with durable deeds, was carried, within that stipulated interval, to the grave!—The terms on which Haydn undertook so long a journey and so responsible a duty, were, £300 for composing six grand Symphonies, £200 for the copyright of them, and a benefit, the profits guaranteed at £200. Salomon re-engaged Haydn for the season 1792, on the same terms, except that, for the copyright of the last six Symphonies, the increased sum of £300 was paid. In the first concert of this year, Yaniewicz played a Violin Concerto. At the first of the series in 1793, Viotti made his début in London, in _his_ favourite Violin Concerto. In 1794 and 95, Haydn, having visited London a second time, was again at the same post of pianoforte president. In 1796, Salomon’s discriminating judgment brought out of obscurity, and placed in their proper sphere, the extraordinary vocal powers of Braham. Of Salomon’s subsequent subscription concerts, engagements at private music parties, attendances at the Prince of Wales’s Carlton-House Concerts, compositions of canzonets, songs, glees, &c. it is not requisite here to treat. His public career extended to the period of the formation of the Philharmonic Society, in 1813, of which he was one of the original and