FRANÇOIS CRAMER, second son of William Cramer, was born near Mannheim, in 1772. He commenced his labours on the violin under regular tuition, at a very tender age, and was no novice in the art of handling it, when, in his eighth year, he left his native country, to join his father and his brother John, who were settled in England. A long suspension of his practice, however, was rendered necessary by feeble health; and the extent of delay prescribed by Horace with regard to a poem—“nonum prematur in annum”—was nearly enforced as to young Cramer’s violin, which he had to keep in reserve during a lapse of seven years. On recommencing, he found himself under the disadvantage of having to toil over all the elementary ground anew. He did this, however, with good heart, and then worked his way into close acquaintance with the Solos of Geminiani and Tartini, and the _Capriccios_ of Benda and old Stamitz. At the age of seventeen, he was placed, as a gratuitous member, in the Opera band, by his father, who was its leader. In the course of a few years, he rose in the ranks of the orchestra, and was appointed principal second violin under his father, not only at the Opera, but at all the principal concerts, as the King’s Concerts of Ancient Music, the Ladies’ Concerts, and the great provincial musical festivals. On the death of his father, he was appointed leader of the Ancient Concerts, and came into very general employment as an orchestral leader, during many years—a position for which his steadiness of direction, and his solid style of playing, well qualified him. It was on his capacity as a leader, especially for the lofty music of Handel, that his fame rested. As a solo-player, he never had much importance—his powers of execution not being of the kind that ensures the uniform triumph over difficult passages.