The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
In 1836, M. Molique made a journey to Paris, and executed one of his
concertos for the violin, at the Concerts of the _Conservatoire_. The
journals which spoke of the effect of this composition, did justice to
its beauty: but, according to their account, the execution does not
appear to have produced upon the audience such an effect as ought to
have resulted from the talent of the artist. It has been a subject of
remark, that something of the same sort has happened in the case of most
of the violinists of the German School who have performed before
audiences at Paris; and that Spohr and Lipinski, who have had a great
reputation elsewhere, produced but little sensation in that city. Must
not the cause of this be sought in the diversity of national taste?—The
published works of M. Molique have for many years contributed to the
extension of his renown.
Vainly, oh, Pen! expectant here thou turn’st
To trace the doings of Teutonic ERNST—
To shew what praise he won, what hearts he moved,
What realms he traversed, and what trials proved.
Wanting the _records_ that should speak his fame,
Prose fails—and Verse, alas! but gives _his name_.
So, in life’s common round, when just aware
That one whom we have longed to _know_, is near—
To see him, hear him, _chat_ with him, prepared,
We find he’s gone, and has but _left his card_!
Under the German branch of our subject, as more analogous to that than
to any one of the others, may perhaps be most fitly presented some
particulars concerning the remarkable Norwegian artist, OLE (or OLAUS)
BULL, who, in 1836, came hither to dazzle and animate us, like a
coruscation from those “northern lights” that are often so conspicuous
in his own land. His advent to our shores was immediately preceded by a
visit to our lively neighbours on the southern side of the Channel. The
following sketch—of which the earlier and more picturesque portion is
chiefly derived from a French account, written by a medical professor
and musical amateur at Lyons—will furnish some idea of the powers and
peculiarities of this individual.
Public-domain text, read in full here on John Shaqi.
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