—For its connection with the state and prospects of the Violin School in England, the institution of the “Royal Academy of Music” calls for a few words of notice in this place. The vocal art, through some unexplained defects in the system pursued there—certainly not from the want of fine voices in the country—has hitherto derived no very conspicuous advantage from the establishment in question; but the instruction communicated to instrumentalists must have been of a better kind, for results of some importance have been manifested. Of several of the students who have cultivated the powers of the violin with marked success, the most distinguishable, perhaps, in point of genius, is MAWKES, a performer of very great promise, who had the benefit of aid from the master-hand of Spohr. Suddenly, however, and much to the regret of those who were watching with interest the development of his fine capacity, he seceded from playing in public, and is now living in seclusion. To this strange sequestration of a valuable gift, he is said to have been induced by scruples of a religious nature. _Why_ any branch whatsoever of the refined arts may not be followed, as a profession, in perfect compatibility with the higher and ulterior purposes of life, it is difficult to discover. A man does not, commonly, take his principles _from_ his worldly calling: he brings them _to_ it, and finds in it a field for their due employment and exercise. Objections, however, that refer us to the conscience, as their seat and source, must ever be respected, even when (as in this case) their essential force is not apparent. BLAGROVE is another name that claims especial mention, among the trophies of the Academy. This professor, also, has fortunately enjoyed the highest means of accomplishment in his art, having superadded to his noviciate at the Academy, a later prosecution of his studies under the direction of Spohr, of the purity and refinement of whose style he exhibited delightful traces in the quartett-performances at the head of which he figured, when the merits of that delightful class of compositions were as yet but imperfectly known. Mr. Blagrove enjoys the unquestioned reputation of being one of the best of our living artists.—SEYMOUR is another of the Academy pupils whose talent has become favourably known to the public. As leader of the “younger strengths” forming the Academy orchestra, he has shewn much steadiness and ability.