The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
From the very marked disparity subsisting, of necessity, between the
Professor and the Amateur—a disparity greater as respects the Violin,
than is observable as to any other instrument—it should follow that
modesty was a general characteristic of the non-professional class. Yet,
as if to confirm the truth of the current axiom, that “a little
knowledge is a dangerous thing,” it occurs too often that the deference
due to laborious attainment is withheld, and that the Amateur, content
with a mode of playing as noisy as it is shallow, assumes a prominence
which exposes him to ridicule, and gives pain to his friends, on _his_
account, if not on their own. If he do not err after this fashion, he
will perhaps affect to hold cheap the talent which he finds it were
_dear_ to imitate. It has been found, in the matter of hand-writing,
that lordly personages have sometimes scrawled illegibly, rather than
write in such fairer characters as might make them seem to possess a
knowledge in common with clerks and schoolmasters. In like manner,
certain dandy dilettanti, so far from regarding the interval of merit
between themselves and the accomplished professor as a “hiatus valde
deflendus,” or at least as a reason for becoming diffidence on their own
part, have curled the lip of disdain, while hinting that _their_ style
of playing was not that of people who _played to live_;—as if, by a
strange contrariety of ideas, it were _de_preciation to perform for a
price! There is something to our purpose on this head in the first
volume of Anecdotes, &c. by Miss Hawkins: and here is the passage:—
“Dr. Cooke, the composer, was giving lessons on the violin to a young
man of a noble family. The young man was beginning to play; but, in the
common impetuosity of a novice, he passed over all the _rests_. He
therefore soon left his master far behind him. ‘Stop, stop, Sir!’ said
the Doctor, ‘just take me with you!’ This was a very unpleasant check to
one who fancied he was going on famously; and it required to be more
than once enforced; till at length it was necessary to argue the point,
which the Doctor did with his usual candour, representing the
_necessity_ of these observances. The pupil, instead of shewing any sign
of conviction, replied rather coarsely, ‘Ay, ay, it may be necessary for
_you_, who get your living by it, to mind these trifles; but _I_ don’t
want to be so exact!’”
Public-domain text, read in full here on John Shaqi.
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