The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
tardy notoriety to some of the most perfect and original of musical
compositions, and thereby to erect a higher standard of taste for the
benefit of our musical circles. The intentions of this most laudable
Association, practically wrought out by Professors of the first ability,
have had _some_, at least, of the success that should belong to
well-directed ambition[66].
With the stimulus and the enlightenment that may be derived from such a
school of observation as this, and others to the establishment of which
it may possibly lead, is it a thing to be altogether despaired of, that
we may hereafter be enabled to enjoy the rational luxury, here as in
Germany, of a quartett performed within the _evening family circle_, and
competently performed, by its own members? Already, indeed, in some of
our provincial towns, there have been examples of a disposition this
way[67]. It is to be hoped that our
London Amateurs will no longer be slow to adopt so laudable a practice,
nor be deterred from the pleasant advantages of family fiddling by any
poor jokes about “the brothers _Bohrer_,” or the like. That there is
good capacity in them, which occasion may bring out, was made evident at
the Musical Festival held at Exeter Hall, towards the end of 1834, as
well as at more recent celebrations there. A somewhat large amount of
single practice, and more working by _fours_, together with such
exercise of observation as has been here alluded to, would develop their
capabilities into real means of conferring pleasure upon their
friends—whether in the snug and smiling little domestic circle, or in
the wider area, and amid the more stimulative accessories, of the hired
music-room.
There is a little story, illustrating so pointedly that _love_ for his
peculiar pursuit, which gives to the Amateur his very _name_, that I
cannot resist the temptation to introduce it here. With that little
story—and a few special hints to the younger and earlier class of
students, conveyed in familiar verse, by way of a spur to the
attention—I propose to wind up the present chapter.
Public-domain text, read in full here on John Shaqi.
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