The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
Instruments, it appears, should be sufficiently _well-timbered_; their
durability is much affected when they are finished off too weak in wood.
The bass-bar and sound-post are not inserted to strengthen the
instrument (as many have supposed), but to increase the vibration. The
vibratory principle, according to M. Otto, has been as yet but
imperfectly investigated, and is little understood. Recent experiments,
however, have somewhat further extended our knowledge of it. Great
nicety is requisite as to the erection and proportions of the _bridge_:
when it is too high, the effect is a dull tone, difficult to be brought
out—when too low, a shrill sharp, and thin tone. In good instruments,
the sound-post stands half an inch below the left foot of the bridge: in
defective ones, it may be placed rather nearer, to increase the
strength, and assist the tone. The screw-holes must not be rubbed with
rosin to tighten them: the best appliance is chalk. Some wise-acres
pretend that a violin is to be improved in tone by breaking it to
pieces, and mending it again! Others disturb and shift about the bridge
and sound-post, till the tone is almost gone. Others again, with a taste
worthy of Hottentots, have daubed over the “belly part” with a coat of
glue, mixed with powdered glass; and some there are, who have tampered
with instruments by an absurd plaster of varnish and white of eggs,
under the unwholesome idea of closing up the pores! It is suggested that
_flies_ should not be allowed to introduce themselves into the _f_
holes. (Children say, by the by, that _f_ “_stands for fly_:” and, in
the case in question, it stands _open_; so there seems, at least, a
pretty good excuse for the intruders.) The inside of the instrument is
to be cleaned out once in six months, by means of a handful of barley,
made warm, poured in at these _f_ holes, and well shaken. The best
_strings_ are those from Milan (called Roman), which are clear and
transparent as glass, and should have as much recoil, when opened out,
as a watchspring. A very important article of requirement is good
refined rosin: the common brown rosin of commerce is quite unfit,
because of its thickness and clamminess.
Public-domain text, read in full here on John Shaqi.
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