The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
_Giuseppe (Joseph) Guarnerius_, the most distinguished among a family
noted for the construction of bowed instruments, belongs, in date of
birth, to the latter end of the seventeenth century. He is said to have
studied his art in the factory of Straduarius, although the products of
his hand shew none of the high finish characteristic of that maker. His
_build_ is often very slovenly; the _f_ holes are cut almost straight,
and with angularity about the ends; the fillets are badly traced—and,
indeed, there is so little in the _look_ of his violins to proclaim the
master, that one might be tempted to attribute their fine quality to the
excellence of the materials he used, rather than to any bestowed
workings of his mind. Close examination, however, has decided that he
must have been guided by some positive principles, howsoever attained,
and that his productions have an originality derived from these. Of his
violins of the large pattern, there are but few: those of the smaller
size, which are more numerous, exhibit very little convexity, and are
thicker, in the thick parts, than those of Straduarius. The effect of
his instruments is more gratifying at a little distance, than at “close
quarters.”
The art under consideration seems to have gone on in Italy with hardly
any change, since the time of the above two celebrated makers—their
successors having been content with one or the other of them, for model.
_Lorenzio Guadagnini_, of Placentia, a pupil or apprentice of
Straduarius, copied the small-pattern fiddles of his master. His
instruments give a round and clear tone from the first and second
strings—but are dull on the third. He had a son, who worked at Milan,
till about 1770, after his father’s mode, but with smaller success. The
_Gagliani_ were also imitators of Straduarius, but were far from
equalling his instruments, and were not very scrupulous in their
selection of wood. _Ruggeri_ and _Alvani_, who were among the copyists
of Joseph Guarnerius, have produced good violins, but none that could
attain the estimation enjoyed by their prototype.
Public-domain text, read in full here on John Shaqi.
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