The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
“At parting, he (Bee Simera, a king in the Kooranko Country) sent his
_griot_, or minstrel, to play before me, and sing a song of welcome.
This man had a sort of fiddle, the body of which was formed of a
calabash, in which two small square holes were cut, to give it a tone.
It had only one string, composed of many twisted horse-hairs, and,
although he could only bring from it four notes, yet he contrived to
vary them so as to produce a pleasing harmony(!) He played at my door
till I fell asleep, and, waking at day-break, his notes still saluted my
ears; when, finding that his attendance would not be discontinued
without a _douceur_, I gave him a head of tobacco, and told him to go
home and thank his master.”—_Major Laing’s Travels in Western Africa._
“The admirers of Paganini (says Dr. Hogg, in his “_Visit to
Alexandria_”) may learn with surprise that a species of Violin, with a
single string, is not only well-known in Egypt, but is frequently played
in the streets, with extraordinary skill. Of the celebrated Italian, the
Egyptians never heard; but they often listen with delight to the
melodious sounds drawn forth from a single string by a wild untutored
Arab.”
_Greek Fiddle._—M. Fauriel, in his “Chants Populaires de la Grèce
Moderne,” says that the Greeks accompany their songs by an instrument
with strings, which is played with a bow, and that this is exactly the
ancient lyre of the Greeks, of which it retains the name as well as the
form. This lyre, he adds, when perfect, consists of five strings, but it
has frequently but two or three.
The _bow_ is of course a modern accessory, and must have changed,
materially, the mode of playing the instrument, as well as its effect.
_An Eight-Stringed Violin._—Prinz, in his History, assures us that,
about the year 1649, Lord Somerset invented a new kind of violin, which
had eight strings, instead of four; and that, in the hands of a master
who knew how to avail himself of its advantages, it was productive of
very extraordinary effects. To the truth of this, Kircher bears witness.
A violin, with eight strings, was also played on by a M. Urhan, at a
concert at the French _Conservatoire Royal_, in 1830.
Public-domain text, read in full here on John Shaqi.
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