The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.Dubourg, George
History
The Violin: Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.
Dubourg, George
Violin; Violinists -- Biography
“You anticipate the rupture of all its strings! On the contrary, the
lightest, the finest, the most delicate of sounds comes forth to win
your surprise. He continues for some moments to sport with your
pre-conceptions, to look askance at you, to irritate you; and every whim
that occurs to him, is employed to draw you out from your supposed
indifference. He teases you, he pleases you: he springs, he runs, he
wanders from tone to tone, from octave to octave; achieves, with
incredible lightness and precision, the widest intervals; ascends and
descends the chromatic and diatonic scales; touches harmonic
accompaniments in his way; extracts unknown sounds; searches, with easy
success, for difficulties and tricks of skill; exhausts, within the
space of a few bars, the whole range of chords and sounds possible upon
the instrument—discourses, sings, bewails, ejaculates, describes! ’Tis
suddenly a murmur of waves, a whistling in the air, a warbling of birds;
a something undefinably musical, in the most acute as well as the lowest
tones—an unrestricted impulse of caprices, and contrasts, without guide
or measure! ’Tis, in a word, a perfect union of incoherence and nameless
clatter, beyond which, the world-worn and vitiated beings around, the
worshippers of singularity, can see nothing, imagine nothing, desire
nothing!
“The great Artist has, nevertheless, resources other than those of
phantasy, by which to captivate the public—and presently there succeeds
to this musical phantasmagoria a broad, stately, harmonious (albeit
somewhat too bare) simplicity. The fatigue of the public and of the
Artist now gives place to a species of joy, that visibly blooms on every
countenance. Chords that are pure sweet, melodious, brilliant, stream
from beneath the bow; and then come accents of nature that seem to flow
from the heart itself, and affect you with a perspiring thrill of
delight; and then (prodigy of harmony!) the vague moans and unfinished
plainings of a melancholy abandonment! You sympathize, in gentle pain,
with the touching and melodious artist; you dispose yourself to follow,
at his direction, the course of (as it should seem) some mournful,
fleeting, intangible vision—when instantly a fit of violent distress, a
sort of shuddering fury, seizes him, and we are startled, chilled,
tormented, by cries which pierce the inmost recesses of our frame, and
make us tremble for the hapless being whom we behold and hear! We dare
not breathe—we are half suffocated;—fearfully the head burns, and the
heart aches.
[Illustration]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account