The Violoncello and Its HistoryWasielewski, Wilhelm Joseph von
History
The Violoncello and Its History
Wasielewski, Wilhelm Joseph von
Cellists; Cello -- History
FERDINAND BÜCHLER is also an excellent pupil of Menter’s, born on
March 17, 1817, at Darmstadt, where his father was Grand Ducal chamber
musician. As his first instructor he had the Darmstadt Concertmaster,
AUGUST DANIEL MANGOLD, born in July, 1775, at Darmstadt. He was a very
distinguished artist on his instrument, of the Romberg school, and
belonged to the Darmstadt orchestra from 1814 until his death, which
happened in 1842. Büchler got on well under Mangold’s training, but
went, in order to perfect himself, to Jos. Menter, whom he had met
during the winter of 1838-1839, at the Munich Quartet Soirées, when he
had undertaken a concert tour to Vienna. Having returned to Darmstadt he
again found an appointment in the band there to which he had belonged
previous to his absence in Munich, and was named first Cellist. An
injured arm, which was never entirely cured, compelled Büchler to
withdraw from playing in public as a soloist, though he still continued
as a chamber music player. In 1881, after forty-six years’ service, he
was pensioned.
Büchler pursued his theoretical studies under the guidance of the
Darmstadt Cantor, Rinck. They enabled him to compose a few cello pieces
which may be favourably distinguished from amongst others. This is
especially the case with regard to his five Studies; they are of value
particularly for the purposes of teaching, and consequently are admitted
into many music schools. Besides these, he wrote two pieces for
four Violoncellos, and transcribed also three pieces from Alessandro
Stradella’s Cantatas. At present there are now in the press arrangements
of twenty-five pieces of ancient and modern masters with the title
“Bunte Reihe.”
VALENTIN MÜLLER, born on February 14, 1830, at Münster, in Westphalia,
studied with Menter, and continued under Servais, in Brussels, in 1848.
During his many years’ residence in the Belgian capital, he performed
for some time the functions of Deputy-Professor at the Conservatoire. In
1858 he betook himself to Paris and filled the place of Chevillard[121]
in the Maurin Quartet. Ten years later he accepted a post at
Frankfort-on-the-Maine, where he worked as member of the Quartet of the
Museum Society, and as master at the Hoch Conservatoire.
JOSEPH WERNER, born on June 25, 1837, at Würzburg, was, in 1852, _Elève_
of the Munich Conservatoire, and educated himself there as Violoncellist
under Menter’s direction. In the year 1867 he went to Dresden to Fr.
Grützmacher in order to become better acquainted with his method of
instruction. After he had been solo cellist in the Court Kapelle at
Munich, he became teacher at the music school, and later on he received
the title of Royal Chamber Musician and Professor, which proves that he
was particularly esteemed in the music world of Munich.
Public-domain text, read in full here on John Shaqi.
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