The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
Adrian leaned forward and struck the glass a violent blow with the
handle of his dagger; it was hard, and resisted, but at a second blow
shivered. The page tore away the metal framework, and slipping his arm
through, thrust back the first bolt. But it was fastened in three
places, and the other two were not so easy. Straining up to his full
height, the page forced half his body through the broken window and
succeeded in slipping back the second bolt; the third was almost at the
bottom of the tall door, nor was the opening he had forced large enough
for him to do more than admit his arm and shoulder through. He still
held his dagger in his hand, and grasping at it at the end of the blade,
struck violently downward at the bolt head with the handle. It did not
move the first time, nor the second, nor the third; but at the fourth
blow it suddenly shot back and the door was open. Adrian struggled
through the window, backward, on to his feet, his hand and arm torn in
several places, dizzy with the strain.
Valentine turned with a glad cry.
"Now stand thou in the archway," she said; "and close the door behind me
and keep watch; our one need is haste!"
The page pushed the despoiled door open and Valentine sped through,
closing it carefully after her; the broken window would not be noticed
from the garden, but an open door might. The space she entered seemed so
dark after the bright glare outside that at first she could gather
nothing.
But soon the light sufficed to show Valentine this was not the room she
wanted.
It was gorgeously decorated, frescoes covered the walls, the ceiling was
richly gilt and painted, the floor glass mosaic, the furniture florid
and ornate.
Valentine glanced around hurriedly: at one end was a door, and trying
it, found it open easily, leading into another splendid apartment--still
not containing what she sought.
Hastening on through a door, not only unlocked, but standing ajar, she
found herself in a small, somber room, hung with purple and gold; its
principal furniture the secretary's table, Visconti's chair, and the
imposing black carved bureau.
This was the room she wanted; and on the bureau, flung down in haste, a
bunch of keys.
Valentine seized them with trembling hands; they were the keys of the
drawers, and one by one she flung them open, so possessed with
excitement she could hardly stand. Gian was not in the palace, yet she
seemed to feel his eyes upon her; to hear his step; catch his low
whisper of her name; feel his touch upon her shoulder.
In one drawer were the parchment passports, some of them, for
convenience, already signed with Visconti's name. Hastily Valentine
thrust three into the bosom of her dress. But where were the palace
keys?
She turned over the drawers in reckless haste; she found Visconti's seal
and one of his signet rings, and slipped them both into her gown--still
she could not find the keys. The Duke's pass-keys that unlocked every
door.
Public-domain text, read in full here on John Shaqi.
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