The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
He felt desperate, wounded badly in both heart and pride. It was not so
much for love of Valentine Visconti--that had ever been more fancy than
aught else--it was the sense of failure--of self-humiliation; a bitter
sense of how Visconti laughed at him. Far better a fine, romantic death
than disgrace one side, defeat the other. In fact a fine, romantic death
in a lady's cause would be decidedly gratifying. With this new thought
of it struggling in his mind, Count Conrad suddenly turned from the wall
and forced lustily through the crowd to the church steps.
He was there none too soon. A sudden wild shout from the crowd, a
movement of the soldiers keeping guard, told him they were leaving the
church. The pushing, struggling people were well kept back by the stout
halberds; but Conrad, partly by virtue of his dress, but rather by the
strength of his squared arms, managed to force to the front, where he
stood close behind the stalwart figure of a German mercenary.
Conrad glanced at the blond hair and mild blue eyes. "Friend," he
whispered in German, leaning forward, "have consideration for a German
father who will say many prayers for thee--in his native tongue."
The soldier turned.
"Quick," said Conrad, "a place next thee, my friend."
The soldier smiled at the friar's curiosity, and allowed him vantage;
and Conrad, stationed near the foot of the steps, looked up them eagerly
to the brilliant group issuing from the church doors.
His roving eyes sought out Gian Visconti. It was only four months since
he had seen him, talked to him freely, face to face, his friend and
favorite, but it seemed years. Visconti had grown in greatness since
then, and Conrad, when his gaze caught the once familiar figure, felt
far away from knowledge of him.
Visconti was standing, his cap in his hand, surveying the crowd. He
looked much older, Conrad thought, his face was dark and somber, hardly
like the face of a man at the summit of his ambition. He came down the
steps slowly, on one side his sister, her bridegroom on the other, and
taking no further notice of the shouting people, gazed down moodily.
Conrad hardly looked at Valentine, whiter than her white dress, gazing
vacantly before her; he did not notice the utter change from her former
brilliancy, he had no eyes for the overdressed, foppish bridegroom--he
was looking at Visconti.
The steps were thickly strewn with flowers; the train of lords and
ladies was one blaze of color and gems, still flowing from the church as
Visconti came to within three steps of the Count, and Conrad sprang
forward before the startled soldier could throw out a hand.
Visconti stopped, and the procession behind him, arrested, stood a
flaming band of movement and color. Conrad threw back his hood with a
sweeping gesture, thrilled by the excitement of the moment to dare
anything. What his motive he could not have told, but it was a fine
moment. He caught one glimpse of Valentine's suddenly illumined face,
and drew the dagger.
Public-domain text, read in full here on John Shaqi.
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