The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
"We must to horse!" he cried. "To horse! Too much time has already been
shamelessly wasted," and he strode out, motioning to them to follow.
By the horses stood Conrad Sigismund, bringing them one by one under
review, in the scanty gleam of light afforded by the lantern, and that
flickered upon them through the space that answered for a window.
"A roan!" he cried gaily, "I ever loved a roan charger. I will have this
one, Francisco." He spoke airily, as if ten minutes since Francisco had
not lashed him with his tongue, and threatened him even with death,
should his foolhardiness endanger them again.
"Thou wilt ride the black," said Francisco coldly.
"Because I love the roan?" asked the other with a laugh.
"Because I say so," returned Francisco.
A mocking answer rose to Conrad's lips, but it was never spoken. With a
gesture, Francisco motioned him to silence. He turned and listened.
"Horses! And coming hither!" he said. "Soldiers!"
The others, grouped close by, ready to mount, stopped paralyzed--yes,
Francisco's ears had caught the sound aright, the tramp of horsemen, and
coming upon them from the road.
Escape with horses any other way there was none, though Conrad madly
urged they should mount and fly.
But Francisco turned on him threateningly.
"Am I to run thee through?" he said; "these horses mean more to me than
thy life, or my own. Where shall we ride? Into the water? No, go back
into the hut." He turned to Ligozzi. "Aid me tether these beasts where
they may be unnoticed. These men perchance are only riding through."
It was done in silence and with expedition. The soldiers' voices were
now plain, and the jangle of their arms.
"Come, Ligozzi," said Francisco, "thou and I will play at being
soldiers, and see how we can overcome Visconti's men. 'Tis a game that
thou and I have played before."
He drew his dagger as he spoke, and stepped back with Ligozzi into the
hut. The door was closed. Francisco glanced around. By the table stood
Conrad, showing even at that moment the silver and ivory chessmen, which
he slipped out of his doublet one at a time, and passed them before
Vittore's now wandering, now fascinated gaze.
Ligozzi and Tomaso stood beside their leader, one either hand. Tomaso's
face was white; the Visconti's scar showed plainly; his breast throbbed
with excitement. Ligozzi's gaze was riveted upon Francisco.
A sudden babble of voices outside told the soldiers were in the open. A
voice cried: "Halt!"
But ere this Francisco had put out the light. They stood in darkness.
"I know that voice," said Francisco at Ligozzi's ear; "Alberic da
Salluzzo. When last I heard it 'twas in Verona, at the burning of the
palace. Dost remember?"
Ligozzi nodded. They held their daggers ready. No one stirred. Count
Conrad thrust his chessmen back into his doublet. He regretted Francisco
had dragged him so furiously away before he had time to find Lady
Valentine's dagger with the emerald. It could have been of service now.
Public-domain text, read in full here on John Shaqi.
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