The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
Its very fury spoke it brief, yet many cowered and shrank before it, as
if its termination must be the termination of the world. And to no one
did it strike more fear than to the solitary prisoner in the castle of
Brescia--Gian Visconti. In obedience to Carrara's orders, he had been
placed in a separate chamber, as far from the other prisoners as space
allowed. His chamber was a circular, vault-like space, once serving as
antechamber to a gloomy suite of rooms beyond, in which Barnabas
Visconti had chosen to beguile the summer heat. The doors of this suite
were locked; Gian Visconti himself had locked them, when he and his
father last came there together. This vault-like room was high and
ill-lit, and, in the blackness of the storm, pitch dark. Visconti sat
underneath one of the windows, whither he had dragged the wooden stool,
the sole furniture the place contained; his face was buried in his
hands, and he writhed in horror.
The wind howled and tore at the locked doors, making them creak and
groan; the thunder shook the building; and at every fresh convulsion
Visconti shrieked aloud in unison.
The lightning, flashing blue through the crevices, seemed to play about
that inner door, and he cowered from the sight, and bit at his fingers
in a fierce endeavor to resist the madness seizing him.
It was not so very long ago that he had turned the great key behind him
in that ponderous door, and ridden from the deed he had done, shouting
through the midnight. He thought then never to return, and here he was,
thrust in alone, and his madness on him. Visconti staggered from his
seat, groping blindly.
The blackness seemed to whirl with faces and clutching, tearing fingers;
he knew not where he was--he could see nothing--blackness and
space--seemingly unbounded.
Another flash revealed to him that he had drawn near that inner door--in
the instant it was visible; it seemed to open and shut--quickly.
Visconti fell back against the wall, and wrestled with his terrors as if
they were some living thing, and again with savage teeth he bit into his
flesh.
But the floor was opening beneath him, opening into gulfs deep and still
deeper, bottomless.
"I am mad!" said Visconti, and shrieked and howled with the storm. It
did not help him; he heard hurrying feet through all the alarm of the
tempest, hurrying to him behind that locked door. Let him not look, for
what he feared to see the dark could not conceal--and now they were at
the door, and now they were fitting a key.
"Keep away!" he yelled.
Then he stood, hushed, with bated breath, eyes starting into the
blackness, listening. And through the dark he heard the creaking and
twisting of the key, the slow opening of a heavy door, the groaning of
the hinges as it opened, slowly.
Public-domain text, read in full here on John Shaqi.
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