The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
Lastly--take the Art of Building--the strongest--proudest--most
orderly--most enduring of the arts of man; that of which the produce is in
the surest manner accumulative, and need not perish, or be replaced; but
if once well done, will stand more strongly than the unbalanced
rocks--more prevalently than the crumbling hills. The art which is
associated with all civic pride and sacred principle; with which men
record their power--satisfy their enthusiasm--make sure their
defence--define and make dear their habitation. And in six thousand years
of building, what have we done? Of the greater part of all that skill and
strength, _no_ vestige is left, but fallen stones, that encumber the
fields and impede the streams. But, from this waste of disorder, and of
time, and of rage, what _is_ left to us? Constructive and progressive
creatures that we are, with ruling brains, and forming hands, capable of
fellowship, and thirsting for fame, can we not contend, in comfort, with
the insects of the forest, or, in achievement, with the worm of the sea?
The white surf rages in vain against the ramparts built by poor atoms of
scarcely nascent life; but only ridges of formless ruin mark the places
where once dwelt our noblest multitudes. The ant and the moth have cells
for each of their young, but our little ones lie in festering heaps, in
homes that consume them like graves; and night by night, from the corners
of our streets, rises up the cry of the homeless: "I was a stranger, and
ye took me not in."
Public-domain text, read in full here on John Shaqi.
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