The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
A certain degree of progress from the rudest state in which man is
found,--a dweller in caves, or on trees, like an ape,--a cannibal, and
eater of pounded snails, worms, and offal,--a certain degree of progress
from this extreme, is called Civilization. It is a vague, complex name, of
many degrees. Nobody has attempted a definition. M. Guizot, writing a book
on the subject, does not. It implies the evolution of a highly-organized
man, brought to supreme delicacy of sentiment, as in practical power,
religion, liberty, sense of honor, and taste. In the hesitation to define
what it is, we usually suggest it by negations. A nation that has no
clothing, no iron, no alphabet, no marriage, no arts of peace, no abstract
thought, we call barbarous. And after many arts are invented or imported,
as among the Turks and Moorish nations, it is often a little complaisant
to call them civilized.
Each nation grows after its own genius, and has a civilization of its own.
The Chinese and Japanese, though each complete in his way, is different
from the man of Madrid or the man of New York. The term imports a
mysterious progress. In the brutes is none; and in mankind to-day the
savage tribes are gradually extinguished rather than civilized. The
Indians of this country have not learned the white man's work; and in
Africa, the negro of to-day is the negro of Herodotus. In other races the
growth is not arrested; but the like progress that is made by a boy "when
he cuts his eye-teeth," as we say,--childish illusions passing daily
away, and he seeing things really and comprehensively,--is made by tribes.
It is the learning the secret of cumulative power, of advancing on one's
self. It implies a facility of association, power to compare, the ceasing
from fixed ideas. The Indian is gloomy and distressed when urged to depart
from his habits and traditions. He is overpowered by the gaze of the
white, and his eye sinks. The occasion of one of these starts of growth is
always some novelty that astounds the mind, and provokes it to dare to
change. Thus there is a Cadmus, a Pytheas, a Manco Capac at the beginning
of each improvement--some superior foreigner importing new and wonderful
arts, and teaching them. Of course, he must not know too much, but must
have the sympathy, language, and gods of those he would inform. But
chiefly the sea-shore had been the point of departure to knowledge, as to
commerce. The most advanced nations are always those who navigate the
most. The power which the sea requires in a sailor makes a man of him very
fast, and the change of shores and population clears his head of much
nonsense of his wigwam.
Public-domain text, read in full here on John Shaqi.
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