The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
The world rolls, the din of life is never hushed. In London, in Paris, in
Boston, in San Francisco, the carnival, the masquerade is at its height.
Nobody drops his domino. The unities, the fictions of the piece, it would
be an impertinence to break. The chapter of fascinations is very long.
Great is paint; nay, God is the painter; and we rightly accuse the critic
who destroys too many illusions. Society does not love its unmaskers. It
was wittily, if somewhat bitterly, said by D'Alembert, "qu'un état de
vapeur était un état très fâcheux, parcequ'il nous faisait voir les choses
comme elles sont." I find men victims of illusion in all parts of life.
Children, youths, adults, and old men, all are led by one bauble or
another. Yoganidra, the goddess of illusion, Proteus, or Momus, or Gylfi's
Mocking,--for the Power has many names,--is stronger than the Titans,
stronger than Apollo. Few have overheard the gods, or surprised their
secret. Life is a succession of lessons which must be lived to be
understood. All is riddle, and the key to a riddle is another riddle.
There are as many pillows of illusion as flakes in a snowstorm. We wake
from one dream into another dream. The toys, to be sure, are various, and
are graduated in refinement to the quality of the dupe. The intellectual
man requires a fine bait; the sots are easily amused. But everybody is
drugged with his own frenzy, and the pageant marches at all hours, with
music and banner and badge.
Amid the joyous troop who give in to the charivari, comes now and then a
sad-eyed boy, whose eyes lack the requisite refractions to clothe the show
in due glory, and who is afflicted with a tendency to trace home the
glittering miscellany of fruits and flowers to one root. Science is a
search after identity, and the scientific whim is lurking in all corners.
At the State Fair, a friend of mine complained that all the varieties of
fancy pears in our orchards seem to have been selected by somebody who had
a whim for a particular kind of pear, and only cultivated such as had that
perfume; they were all alike. And I remember the quarrel of another youth
with the confectioners, that, when he racked his wit to choose the best
comfits in the shops, in all the endless varieties of sweetmeat he could
only find three flavors, or two. What then? Pears and cakes are good for
something; and because you, unluckily, have an eye or nose too keen, why
need you spoil the comfort which the rest of us find in them?
Public-domain text, read in full here on John Shaqi.
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