The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
You see, I am not mincing matters, but avowing nakedly what many
scientific thinkers more or less distinctively believe. The formation of a
crystal, a plant, or an animal is, in their eyes, a purely mechanical
problem, which differs from the problems of ordinary mechanics in the
smallness of the masses and the complexity of the processes involved. Here
you have one half of our dual truth; let us now glance at the other half.
Associated with this wonderful mechanism of the animal body, we have
phenomena no less certain than those of physics, but between which and the
mechanism we discern no necessary connection. A man, for example, can say
_I feel_, _I think_, _I love_; but how does _consciousness_ infuse itself
into the problem? The human brain is said to be the organ of thought and
feeling; when we are hurt, the brain feels it; when we ponder, it is the
brain that thinks; when our passions or affections are excited, it is
through the instrumentality of the brain. Let us endeavor to be a little
more precise here. I hardly imagine that there exists a profound
scientific thinker, who has reflected upon the subject, unwilling to admit
the extreme probability of the hypothesis that, for every fact of
consciousness, whether in the domain of sense, of thought, or of emotion,
a certain definite molecular condition is set up in the brain; who does
not hold this relation of physics to consciousness to be invariable, so
that, given the state of the brain, the corresponding thought or feeling
might be inferred; or, given the thought or feeling, the corresponding
state of the brain might be inferred.
Public-domain text, read in full here on John Shaqi.
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