The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
But the effect of failure upon my own mind has been just the reverse of
this. The more that my life disappointed me, the more solemn and wonderful
it became to me. It seemed, contrarily to Pope's saying, that the vanity
of it _was_ indeed given in vain; but that there was something behind the
veil of it, which was not vanity. It became to me, not a painted cloud,
but a terrible and impenetrable one: not a mirage, which vanished as I
drew near, but a pillar of darkness, to which I was forbidden to draw
near. For I saw that both my own failure, and such success in petty things
as in its poor triumph seemed to me worse than failure, came from the want
of sufficiently earnest effort to understand the whole law and meaning of
existence, and to bring it to noble and due end; as, on the other hand, I
saw more and more clearly that all enduring success in the arts, or in any
other occupation, had come from the ruling of the lower purposes, not by a
conviction of their nothingness, but by a solemn faith in the advancing
power of human nature, or in the promise, however dimly apprehended, that
the mortal part of it would one day be swallowed up in immortality; and
that, indeed, the arts themselves never had reached any vital strength of
honor, but in the effort to proclaim this immortality, and in the service
either of great and just religion, or of some unselfish patriotism, and
law of such national life as must be the foundation of religion.
Nothing that I have ever said is more true or necessary--nothing has been
more misunderstood or misapplied--than my strong assertion that the arts
can never be right themselves unless their motive is right. It is
misunderstood this way: weak painters, who have never learned their
business, and cannot lay a true line, continually come to me, crying out,
"Look at this picture of mine; it _must_ be good, I had such a lovely
motive. I have put my whole heart into it, and taken years to think over
its treatment." Well, the only answer for these people is,--if one had the
cruelty to make it,--"Sir, you cannot think over _any_thing in any number
of years,--you haven't the head to do it; and though you had fine motives,
strong enough to make you burn yourself in a slow fire, if only first you
could paint a picture, you can't paint one, nor half an inch of one; you
haven't the hand to do it."
But, far more decisively we have to say to the men who _do_ know their
business, or may know it if they choose, "Sir, you have this gift, and a
mighty one; see that you serve your nation faithfully with it. It is a
greater trust than ships and armies: you might cast _them_ away, if you
were their captain, with less treason to your people than in casting your
own glorious power away, and serving the devil with it instead of men.
Ships and armies you may replace if they are lost, but a great intellect,
once abused, is a curse to the earth forever."
Public-domain text, read in full here on John Shaqi.
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