The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
But further, you may, perhaps, think it a beneficent ordinance for the
generality of men that they do not, with earnestness or anxiety, dwell on
such questions of the future, because the business of the day could not be
done if this kind of thought were taken by all of us for the morrow. Be it
so; but at least we might anticipate that the greatest and wisest of us,
who were evidently the appointed teachers of the rest, would set
themselves apart to seek out whatever could be surely known of the future
destinies of their race; and to teach this in no rhetorical or ambiguous
manner, but in the plainest and most severely earnest words.
Now, the highest representatives of men who have thus endeavored, during
the Christian era, to search out these deep things, and relate them, are
Dante and Milton. There are none who for earnestness of thought, for
mastery of word, can be classed with these. I am not at present, mind you,
speaking of persons set apart in any priestly or pastoral office, to
deliver creeds to us, or doctrines; but of men who try to discover and set
forth, as far as by human intellect is possible, the facts of the other
world. Divines may perhaps teach us how to arrive there, but only these
two poets have in any powerful manner striven to discover, or in any
definite words professed to tell, what we shall see and become there; or
how those upper and nether worlds are, and have been, inhabited.
And what have they told us? Milton's account of the most important event
in his whole system of the universe, the fall of the angels, is evidently
unbelievable to himself; and the more so, that it is wholly founded on,
and in a great part spoiled and degraded from, Hesiod's account of the
decisive war of the younger gods with the Titans. The rest of his poem is
a picturesque drama, in which every artifice of invention is visibly and
consciously employed; not a single fact being, for an instant, conceived
as tenable by any living faith.
Dante's conception is far more intense, and, by himself, for the time, not
to be escaped from; it is indeed a vision, but a vision only, and that one
of the wildest that ever entranced a soul--a dream in which every
grotesque type or fantasy of heathen tradition is renewed, and adorned;
and the destinies of the Christian Church, under their most sacred
symbols, become literally subordinate to the praise, and are only to be
understood by the aid, of one dear Florentine maiden.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account