The Voice of the PeopleGlasgow, Ellen Anderson Gholson
General
The Voice of the People
Glasgow, Ellen Anderson Gholson
Virginia -- Social life and customs -- Fiction
When the uproar was subdued, the thin voice of Mr. Slate sounded from
the platform.
"What he doesn't sell he buys," he cried in his nervous, penetrant
tones. "Twelve years ago he was accused of lobbying with full hands in
the legislature. He was the lobbyist of the P.H. & C. railroad. The
charge was passed over, not disproved. What do you say to this, Major?"
In the effort to restore order the chairman grew purple, but the major
turned squarely upon his questioner.
"I say nothing, sir. It is unnecessary to assert that a gentleman is not
a criminal at large."
A burst of applause broke out.
"I repeat the charge," screamed Slate.
"It is false!" retorted the major.
"It's a damned lie!" called a dozen voices.
"Nick Burr knows it. Ask him!" answered Slate.
From a peaceable assemblage the convention had passed into pandemonium.
Two thousand throats made, in two thousand different keys, a single
gigantic discord. The pounding of the chairman was a faint
accompaniment to the clamour. In the first lull, a man's voice with a
dominant note was heard demanding recognition, and at the sight of his
towering figure upon the platform there was a short silence.
"It's Nick Burr!" called a man from Burr's district. "Let's hear Nick
Burr."
There was a protest on the part of the Webb faction. Burr and Webb were
looked upon as rivals. "He hates Webb like the devil!" cried a delegate,
and "It's pie for Burr!" sneered another. But as he moved slightly
forward and faced the chairman a sudden hush fell before him.
Among the men surrounding him his powerful figure towered like a
giant's. His abundant red hair, waving thickly from his bulging
forehead, redeemed by its single note of colour the rigidity of his
features. His eyes--small, keen, deeply set beneath heavy brows--flashed
from a dull opacity to an alert animation. But in the first and last
view of his face it was the mouth that marked the man; the straight,
thin lips would close or unclose at their own will, not at
another's--the line of the mouth, like the line of the hard, square jaw,
was the physical expression of his character. He was called ugly, but it
was at least the ugliness of individuality--the ugliness of an
unpolished force--of a raw, yet disciplined energy. Now, as he stood at
his full height upon the stage, his personality was felt before his
words were uttered. He had but one attribute of recognised oratory--a
voice; and yet a voice so little vibrant as to seem almost without
inflections.
It was resonant, far-reaching, incisive; but it rang abruptly and
without mellowness.
Public-domain text, read in full here on John Shaqi.
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