The Voice of the PeopleGlasgow, Ellen Anderson Gholson
General
The Voice of the People
Glasgow, Ellen Anderson Gholson
Virginia -- Social life and customs -- Fiction
He looked out an instant longer, and was turning back, when his eye
caught a movement among the shadows in the distant lane. A quick thought
came to him, and he kept his gaze beneath the heavy maples, where the
moonshine fell in flecks. For a moment all was still, and then into the
light came the figure of a man. Another followed, another, and another,
passing again into the dark and then out into the brightness that led
into the little gully far beyond. There was no sound except the baying
of the dog; the figures went on, noiseless and orderly and grim, from
dark to light and from light again to dark. There were at most a dozen
men, and they might have been a band of belated workmen returning to
their homes or a line of revellers that had been sobered into silence.
They might have been--but a sudden recollection came to him, and he
closed the door softly and went out. There was but one thing that it
meant; this he knew. It meant a midnight attack on the gaol, and a man
dead before morning, who must die anyway--it meant vengeance so quiet
yet so determined that it was as sure as the hand of God--and it meant
the defiance of laws whose guardian he was.
He broke into a run, crossing the green and following the path that rose
and fell into the gullies as it led on to the gaol. As he ran he saw the
glow of the night-lamp in the sick-room, and he heard the insistent
baying of the hound.
The moonlight was thick and full. It showed the quiet hill flanked by
the open pasture; and it showed the little whitewashed gaol, and the
late roses blooming on the fence. It showed also the mob that had
gathered--a gathering as quiet as a congregation at prayer. But in the
silence was the danger--the determination to act that choked back
speech--the grimness of the justice that walks at night--the triumph of
a lawless rage that knows control.
As he reached the hill he saw that the men he had followed had been
enforced by others from different roads. It was not an outbreak of swift
desperation, but a well-planned, well-ordered strategy; it was not a mob
that he faced, but an incarnate vengeance.
He came upon it quickly, and as he did so he saw that the sheriff was
ahead of him, standing, a single man, between his prisoner and the rope.
"For God's sake, men, I haven't got the keys," he called out.
Nicholas swung himself over the fence and made his way to the entrance
beneath the steps that led to the floor above. He had come as one of the
men about him, and they had not heeded him. Now, as he faced them from
the shadow he saw here and there a familiar face--the face of a boy he
had played with in childhood. Several were masked, but the others raised
bare features to the moonlight--features that were as familiar as his
own.
Then he stood up and spoke. "Men, listen to me. In the name of the Law,
I swear to you that justice shall be done--I swear."
A voice came from somewhere. "We ain't here to talk--you stand aside,
and _we'll_ show you what we're here for."
Public-domain text, read in full here on John Shaqi.
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