Construction industry -- Fiction; Labor unions -- Fiction; New York (N.Y.) -- Fiction; Strikes and lockouts -- Fiction
"Now you see here!"--and Mr. Driscoll leaned forward and with the help
of a gesticulating fist launched into an emphatic presentation of "an
old man's advice" on the subject of looking out for number one.
While he had been talking Ruth had walked about the block in dazing
pain, and now she had been brought back to the tenement door by the
combined strength of love and duty. During the last two weeks she had
often wished that she might speak a moment with Tom, to efface the
impression she had given him on that tragic evening when they had been
last together, that knowing him could mean to her only great pain. That
she should tell him otherwise, that she should yield him the forgiveness
she had withheld, had assumed to her the seriousness of a great debt she
must discharge. The present was her best chance--perhaps she could see
him for a moment alone. And so, duty justifying love, she entered the
tenement and mounted the stairs.
Tom's "Come in!" answered her knock. Clutching her self-control in both
her hands, she entered. At sight of her Tom rose upon his elbow, then
sank back, as pale as she, his fingers turned into his palms.
"Mr. Keating," she said, with the slightest of bows, and lowered herself
into a chair by the door.
He could merely incline his head.
"You got tired waiting, did you," said Mr. Driscoll, who had turned his
short-sighted eyes about at her entrance. "I'll be through in just a
minute." He looked back at Tom, and could but notice the latter's white,
set face. "Why, what's the matter?"
"I twisted my ankle a bit; it's nothing," Tom answered.
Mr. Driscoll went on with his discourse, to ears that now heard not a
word. Ruth glanced about the room. The high-colored sentimental
pictures, the cheap showy furniture, the ornaments on the
mantelpiece--all that she saw corroborated the revelation she had had of
Maggie's character. Inspiration in neither wife nor home. Thus he had to
live, who needed inspiration--whom inspiration and sympathy would help
develop to a fitness for great ends. Thus he had to live!--dwarfed!
She filled with frantic rebellion in his behalf. Surely it did not have
to be so, always. Surely the home could be changed, the wife roused to
sympathy--a little--at least a little!... There must be a way! Yes, yes;
surely. There must be a way!... Later, somehow, she would find it....
In this moment of upheaving ideas and emotions she had the first vague
stirring of a new purpose--the very earliest conception of the part she
was to play in the future, the part of an unseen and unrecognized
influence. She was brought out of her chaotic thoughts by Mr. Driscoll
rising from his chair and saying: "There's no turning a fool from his
folly, I suppose. Well, we'd better be going, Miss Arnold."
She rose, too. Her eyes and Tom's met. He wondered, choking, if she
would speak to him.
"Good-by, Mr. Keating," she said--and that was all.
"Good-by, Miss Arnold."
Public-domain text, read in full here on John Shaqi.
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