Fantasy fiction; Kai Lung (Fictitious character) -- Fiction
“Well said the wise and deep-thinking Ye-te, in his book entitled
_Proverbs of Everyday Happenings_, ‘Should a person on returning from
the city discover his house to be in flames, let him examine well the
change which he has received from the chair-carrier before it is too
late; for evil never travels alone.’ Scarcely had the unfortunate Quen
recovered his natural attributes from the effect of the disgraceful
occurrence which has been recorded (which, indeed, furnished the matter
of a song and many unpresentable jests among the low-class persons
of the city), than the magnanimous Empress reached that detail of the
tree-planting ceremony when it was requisite that she should deposit the
living emblems of the desired increase and prosperity upon the leaves.
Stretching forth her delicately-proportioned hand to Quen for this
purpose, she received from the still greatly confused person in question
the Imperial silkworms in so unseemly a condition that her eyes had
scarcely rested upon them before she was seized with the rigid
sickness, and in that state fell to the ground. At this new and entirely
unforeseen calamity a very disagreeable certainty of approaching evil
began to take possession of all those who stood around, many crying
aloud that every omen of good was wanting, and declaring that unless
something of a markedly propitiatory nature was quickly accomplished,
the agriculture of the entire Empire would cease to flourish, and the
various departments of the commerce in silk would undoubtedly be thrown
into a state of most inextricable confusion. Indeed, in spite of all
things designed to have a contrary effect, the matter came about in the
way predicted, for the Hoang-Ho seven times overcame its restraining
barriers, and poured its waters over the surrounding country, thereby
gaining for the first time its well-deserved title of ‘The Sorrow of
China,’ by which dishonourable but exceedingly appropriate designation
it is known to this day.
Public-domain text, read in full here on John Shaqi.
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