'Call no one, I beg!' cried Lady Aurora: 'Why should I not have the pleasure of assisting Miss Ellis?' And, bending down, she tried better to accommodate herself to the ease and relief of her new acquaintance, who appeared the more deeply sensible of her kindness, from the ungenerous displeasure which it evidently excited in Mrs Maple. And when, in some degree recovered, she rose to go, she returned her thanks to Lady Aurora with so touching a softness, with tearful eyes, and in a voice so plaintive, that Lady Aurora, affected by her manner, and charmed by her merit, desired still to support her, and, entreating that she would hold by her arm, begged permission of Mrs Maple to accompany Miss Ellis to her chamber. Mrs Maple recollecting, with the utmost confusion, the small and ordinary room allotted for Ellis, so unlike what she would have bestowed upon such a young lady as she now described for her fellow-voyager, found no resource against exposing it to Lady Aurora, but that of detaining the object of her compassionate admiration; she stammered, therefore, out, that as Miss Ellis seemed so much better, there could be no reason why she should not stay below, and see the dance. Ellis gladly courtsied her consent; and the watchful Harleigh, in the alacrity of her acceptance, rejoiced to see a revival to the sentiments of pleasure, which the acrimonious grossness of Mrs Maple had interrupted. Lord Melbury now took the hand of Selina, and Harleigh that of Lady Aurora. Elinor would not dance, but, seating herself, fixed her eyes upon Harleigh, whose own were almost perpetually wandering to watch those of his dramatic consort. Since the first scene, in which the stranger had so ill entered into the spirit of Lady Townly's character, Elinor had ceased to deem her worthy of observation; and, giving herself up wholly to her own part, had not witnessed the gradations of the improvements of Ellis, her rising excellence, nor her final perfection. In her own representation of Lady Wronghead, she piqued herself upon producing new effects, and had the triumph, by her cleverness and eccentricities, her grotesque attitudes and attire, and an unexpected and burlesque manner of acting, to bring the part into a consequence of which it had never appeared susceptible. Happy in the surprise and diversion she occasioned, and constantly occupied how to augment it, she only learnt the high success of Lady Townly, by the bursts of applause, and the unbounded admiration and astonishment, which broke forth from nearly every mouth, the instant that the audience and the performers were united. Amazed, she turned to Harleigh, to examine the merits of such praise; but Harleigh, no longer silent, cautious, or cold, was himself one of the 'admiring throng,' and so openly, and with an air of so much pleasure, that she could not catch his attention for any critical discussion.