The Wanderer; or, Female Difficulties (Volume 2 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 2 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
Mr Scope himself would have handed her to the orchestra, but that he
apprehended such a step might be deemed an action of gallantry, and as
such affect the public opinion of his morals; and Mr Giles Arbe would
have been enchanted to have shewn her his high regard, but that the
possibility of so doing, occurred to him only when the opportunity was
past. Sir Marmaduke Crawley, however, studiously devoted to the arts,
set apart, alike, the rumours which, at one time, raised Ellis to a
level with the rest of the company, and, at another, sunk her beneath
their domestics; and, simply considering her claim to good breeding and
attention, as an elegant artist, courteously offered her his hand.
Somewhat comforted by this little mark of respect, Ellis accepted it
with so much grace, and crossed the apartment with an air so
distinguished, that the urbanity of Sir Marmaduke soon raised an almost
general envy of his office.
Every one now was attentive: singing charms universally: no art, no
accomplishment has such resistless attraction: it catches alike all
conditions, all ages, and all dispositions: it subdues even those whose
souls are least susceptible either to intellectual or mental harmony.
Foremost in the throng of listeners came Lady Barbara Frankland,
attended by Selina; unopposed either by Lady Kendover or Mrs Maple;
those ladies not being less desirous that their nieces should reap every
advantage from Ellis, than that Ellis should reap none in return.
But Ellis was seized with a faint panic that disordered her whole frame;
terrour took from her fingers their elasticity, and robbed her mind and
fancy of those powers, which, when free from alarm, gave grace and
meaning to her performance: and, what to herself she had played with a
taste and an expression, that the first masters would most have
admired, because best have understood, had now neither mark, spirit, nor
correctness: while her voice was almost too low to be heard, and quite
too feeble and tremulous to give pleasure.
The assembly at large was now divided between sneerers and pitiers. The
first insinuated, that Ellis thought it fine and lady-like to affect
being frightened; the second saw, and compassionated, in her failure,
the natural effect of distressed modesty, mingled with wounded pride.
Nevertheless, her fervent, but indiscriminating juvenile admirer, Lady
Barbara, echoed by Selina, enthusiastically exclaimed, 'How delightfully
she plays and sings! How adorably!'
Public-domain text, read in full here on John Shaqi.
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