The Wanderer; or, Female Difficulties (Volume 3 of 5)Burney, Fanny
History
The Wanderer; or, Female Difficulties (Volume 3 of 5)
Burney, Fanny
France -- History -- Revolution, 1789-1799 -- Refugees -- Fiction; Historical fiction; Refugees -- Fiction; War stories
Mrs Ireton, who was reading a news-paper, did not, for some time, raise
her head; though a glance of her eye procured her the satisfaction of
seeing that her call had been obeyed. Juliet, at first, stood modestly
waiting for commands; but, receiving none, sat down, though at an humble
distance; determined to abide by the consequences, be they what they
might, of considering herself as, at least, above a common domestic.
This action shortened the term of neglect; Mrs Ireton, letting the
news-paper fall, exclaimed, in a tone of affected alarm, 'Are you ill,
Ma'am? Are you disordered? I hope you are not subject to fits?'
Juliet coldly answered No.
'I am very glad to hear it, indeed! Very happy, upon my word! I was
afraid you were going to faint away! But I find that you are only
delicate; only fatigued by descending the stairs. I ought, indeed, to
have sent somebody to help you; somebody you could have leant upon as
you came along. I was very stupid not to think of that. I hope you'll
pardon me?'
Juliet looked down, but kept her place.
Mrs Ireton, a little nettled, was silent a few minutes, and then said,
'Pray,--if I may ask,--if it will not be too great a liberty to
ask,--what have been your pursuits since I had the honour of
accompanying you to London? How have you passed your time? I hope you
have found something to amuse you?'
Juliet sighed a negative.
'You have been studying the fine arts, I am told.
Painting?--Drawing?--Sculpture?--or what is it?--Something of that sort,
I am informed. Pray what is it, Mrs Thing-a-mi?--I am always forgetting
your name. Yet you have certainly a name; but I don't know how it is, I
can never remember it. I believe I must beg you to write it down.'
Juliet again only sighed.
'Perhaps I am making a mistake as to your occupations? Very likely I may
be quite in the wrong? Indeed I think I recollect, now, what it is you
have been doing. Acting?--That's it. Is it not? Pray what stage did you
come out upon first? Did you begin wearing your itinerant buskins in
England, or abroad?'
'Where I began, Madam, I have ended; at Mrs Maple's.'
'And pray, have you kept that same face ever since I saw you in
Grosvenor Square? or have you put it on again only now, to come back to
me? I rather suppose you have made it last the whole time. It would be
very expensive, I apprehend, to change it frequently: it can by no means
be so costly to keep it only in repair. How do you put on your colours?
I have heard of somebody who had learnt the art of enamelling their own
skin: is that your method?'
Waiting vainly for an answer, she went on.
Public-domain text, read in full here on John Shaqi.
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