“The boat is coming with the Saracen officers of the port, who must
inspect and pass the ship before she is allowed to discharge her cargo.
Now, Olaf, remember that henceforth you are called Hodur.” (I had taken
this name after that of the blind god of the northern peoples.) “Play
your part well, and, above all, be humble. If you are reviled, or even
struck, show no anger, and be sure to keep that red sword of yours close
hidden beneath your robe. If you do these things we shall be safe, for I
tell you that we are well disguised.”
The boat came alongside and I heard men climbing the ship’s ladder. Then
someone kicked me. It was our captain, Menas, who also had his part to
play.
“Out of the road, you blind beggar,” he said. “The noble officers of the
Caliph board our ship, and you block their path.”
“Touch not one whom God has afflicted,” said a grave voice, speaking
in bad Greek. “It is easy for us to walk round the man. But who is he,
captain, and why does he come to Egypt? By their looks he and the woman
with him might well have seen happier days.”
“I know not, lord,” answered the captain, “who, after they paid their
passage money, took no more note of them. Still they play and sing well,
and served to keep the sailors in good humour when we were becalmed.”
“Sir,” I broke in, “I am a Northman named Hodur, and this woman is my
niece. I was a trader in amber, but thieves robbed me and my companions
of all we had as we journeyed to Byzantium. Me, who was the leader of
our band, they held to ransom, blinding me lest I should be able to
swear to them again, but the others they killed. This is the only child
of my sister, who married a Greek, and now we get our living by our
skill in music.”
“Truly you Christians love each other well,” said the officer. “Accept
the Koran and you will not be treated thus. But why do you come to
Egypt?”
“Sir, we heard that it is a rich land where the people love music, and
have come hoping to earn some money here that we may put by to live on.
Send us not away, sir; we have a little offering to make. Niece Hilda,
where is the gold piece I gave you? Offer it to this lord.”
“Nay, nay,” said the officer. “Shall I take bread out of the mouth of
the poor? Clerk,” he added in Arabic to a man who was with him, “make
out a writing giving leave to these two to land and to ply their
business anywhere in Egypt without question or hindrance, and bring it
to me to seal. Farewell, musicians. I fear you will find money scarce in
Egypt, for the land has been stricken with a famine. Yet go and prosper
in the name of God, and may He turn your hearts to the true faith.”
Public-domain text, read in full here on John Shaqi.
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