Gastambide, a capitalist, who had supplied the inventor with funds. The most famous of early French aviators, Santos Dumont, Farman, Bleriot, Delagrange, and others, owed much to this engine. Ferber might have had it before any of them, for M. Levavasseur offered to build it for him--twenty-four horse-power with a weight of about a hundred and twelve pounds--but public moneys could not be advanced for an engine that did not exist, so the other pioneers, who had followed Ferber in gliding experiments, preceded him in flying. In 1906 Ferber obtained Government permission to join the Antoinette firm for a period, and by 1908 he was flying in an aeroplane of his own design. He was killed in September 1909, on the aerodrome of Beuvrequen, near Boulogne, by capsizing on rough ground in the act of alighting. His own estimate of his work was modest; he had acted, he said, as a ferment and a popularizer, and had helped to put France on the right track; but it was his pride that he belonged to the great school, the school of Lilienthal, Pilcher, Chanute, and the Wrights, who went to work by a progressive method of practical experiment, who combined daring with patience, and found their way into the air. Ferber, after his visit to America, had failed to induce the French authorities to purchase the Wright aeroplane, which he had never seen, but which, from descriptions and photographs, he was able to reconstruct, much as a geologist reconstructs an animal from fossil bones. The refusal of the French Government to purchase and the withdrawal of the Wrights from their public experiments gave France a period of respite for two years, during which time French aviation rapidly developed on lines of its own. At the back of this movement was M. Archdeacon, who as early as 1903 had established a fund and had offered a cup as a prize for the first officially recorded flight of more than twenty-five metres. The Voisin brothers, Gabriel and Charles, having set up their factory at Billancourt-sur-Seine, built machines for him, box-kites and aeroplanes. After a time the Voisin brothers went into business on their own account, and employed M. Colliex as their engineer. Their earliest customers, Leon Delagrange, who had been trained as a sculptor, and Henri Farman, who had combined the professions of cyclist, painter, and motor-racer, were distinguished early French flyers. That both these men had been artists seems to bear out the favourite contention of Wilbur Wright and of Captain Ferber. To be an artist a man must create or initiate; the accumulation of knowledge will do little for him. A politician or a lawyer can reach to high distinction in his profession without the power of initiating anything. It is enough for him to handle other men's ideas, to combine them and balance them, to study and conciliate other men, and to suggest a compromise. But the artist, like the scientific discoverer, must act