France -- History -- Louis XIV, 1643-1715 -- Fiction; Fronde -- Fiction
To tell how our gentleman passed that night; to tell how his sleep and
his waking were one long dream, during which he lived over and over
again in his mind all the details of the chimerical adventure which had
placed in his keeping the most precious treasure that a miser could
ever hide away beneath the wings of his heart; to tell of the plans he
devised for making the future subservient to the needs of his love and
the whims of his imagination; to set forth the arguments that he used
to convince himself that he was doing what he ought,--would be an utter
impossibility; for folly is a wearisome thing to any other mind than a
fool's.
Canolles fell asleep very late, if the feverish delirium which
alternated with his waking moments can be called sleep; and yet the
dawn had scarcely whitened the tops of the poplar-trees, and had not
descended to the tranquil surface of the lovely ponds, where sleep the
water-lilies, whose flowers open only in the sunlight, when he leaped
out of bed, and, dressing himself in haste, went down into the garden.
His first visit was to the wing occupied by the princess; his first
glance at the window of her apartment. Either the princess was not
yet asleep, or she was already awake, for a light, too bright to be
produced by a mere night-lamp, shone through the closely drawn damask
curtains. Canolles stopped short at the sight, which undoubtedly caused
a number of insane conjectures to pass through his mind at the same
instant, and, abandoning his tour of inspection, he stepped behind the
pedestal of a statue which hid him from view; there, alone with his
chimera, he began that everlasting dialogue of true lovers, who see the
beloved object in all the poetic emanations of nature.
The baron had been at his observatory for half an hour, or thereabout,
and was gazing with unspeakable bliss at the curtains which any other
than he would have passed indifferently by, when a window upon the
gallery opened, and the honest face of Master Pompée appeared in the
opening. Everything connected with the viscountess possessed the
deepest interest for Canolles; so he turned his gaze away from the
seductive curtains, and thought he could detect a desire on Pompée's
part to establish communication with him by signs. At first Canolles
was not sure that the signs were addressed to him, and looked about
to discover if any other person was near; but Pompée, observing his
uncertainty, accompanied his motions with a whistle, which would have
been a decidedly unseemly method for a squire to adopt to attract
the attention of the ambassador of his Majesty the King of France,
had it not had an excuse in the shape of a small white object almost
imperceptible to any other eyes than those of a lover, who immediately
recognized in the white object a folded paper.
"A note!" thought Canolles? "she's writing to me. What does that mean?"
Public-domain text, read in full here on John Shaqi.
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