Satire; World War, 1914-1918 -- Fiction; World War, 1914-1918 -- War work -- England -- Fiction
"So it is. But, after all," said Char, torn between a desire to show
John how very much she was enduring in a good cause, and at the same
time how little she heeded such external conditions, "after all the work
is what really matters. It's for the sake of the work I put up with what
poor Brucey thinks are hardships."
"But are they really necessary?"
"What do you mean?" said Char, displeased. "It certainly isn't possible
for a house built like the Hostel to be either as roomy or as convenient
as Plessing is. A certain amount of discomfort is practically
unavoidable."
"Dear me! that's very hard on all of you. Don't the others find it
trying? They have to be there all the time, don't they?"
"What others?" was the freezing inquiry of the Director of the Midland
Supply Depôt.
Trevellyan looked at her in surprise, and replied quite simply: "The
other workers, of course."
"Oh, I really don't know. I naturally never see anything of them, except
at the office; but, of course--well, I suppose they're used to very much
that sort of thing at home."
"Surely not. I was really thinking," Trevellyan remarked with some
superfluity, "of Miss Jones."
"You and my mother appear to find some recondite quality in Miss Jones
which I'm unable to discover!" exclaimed Char, laughing a little. "Of
course she's a lady, but really, as far as work goes--which is, of
course, all that matters just now--I've had a great many clerks who can
be of far more use than she can. It was a mistake having her out to
Plessing that time."
She spoke in a reflective tone that had a conclusive quality in it, but
the tactless Trevellyan ignored the hint of finality and inquired
matter-of-factly: "Why?"
"Because it may make the silly girl imagine that she's on a sort of
superior foothold. You know how idiotic some of them are about--well,
about me--as Director of the Supply Depôt, I mean. They can't look upon
me as a human being at all."
"But you don't seem to want them to, Char. If you can live in the same
house with them all and yet never see them except at the office, it's no
wonder they don't look upon you as a human being."
He spoke so quietly that it was only after a moment she realized the
condemnation that lay behind his words.
It hurt her more than she would have supposed possible. Like most
complex organisms, she had an unreasoned craving for the approval of the
very simple, and she had always thought that Johnnie, easy-going and
uncritical, would accept her judgment as necessarily wider and more
subtle than his own.
"I see," she said, very low. "You accept me and my work only at my
mother's valuation."
"Well, no, Char. It isn't only that."
John's voice held a certain regret, but no retractation.
"It isn't only that evening at Plessing--though you know very well that
I didn't see that question of your leaving home as you did--but every
time I see you, you say or do something that makes me understand what
Dr. Prince meant that evening."
Public-domain text, read in full here on John Shaqi.
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