High rose the air, and trembled among the tallest pines and the summits
of great hills. And in it were the sting of rain and the blatter of
hail, the soft crush of snow and the rattle of thunder among crags. Then
it quieted to the low sultry croon which told of blazing midday when the
streams are parched and the bent crackles like dry tinder. Anon it was
evening, and the melody dwelled among the high soft notes which mean the
coming of dark and the green light of sunset. Then the whole changed to
a great pæan which rang like an organ through the earth. There were
trumpet notes in it and flute notes and the plaint of pipes. "Come
forth," it cried; "the sky is wide and it is a far cry to the world's
end. The fire crackles fine o' nights below the firs, and the smell of
roasting meat and wood smoke is dear to the heart of man. Fine, too, is
the sting of salt and the risp of the north wind in the sheets. Come
forth, one and all, to the great lands oversea, and the strange tongues
and the fremit peoples. Learn before you die to follow the Piper's Son,
and though your old bones bleach among grey rocks, what matter, if you
have had your bellyful of life and come to your heart's desire?" And the
tune fell low and witching, bringing tears to the eyes and joy to the
heart; and the man knew (though no one told him) that this was the first
part of the Rime, the _Song of the Open Road_, the _Lilt of the
Adventurer_, which shall be now and ever and to the end of days.
Then the melody changed to a fiercer and sadder note. He saw his
forefathers, gaunt men and terrible, run stark among woody hills. He
heard the talk of the bronze-clad invader, and the jar and clangour as
stone met steel. Then rose the last coronach of his own people, hiding
in wild glens, starving in corries, or going hopelessly to the death. He
heard the cry of Border foray, the shouts of the famished Scots as they
harried Cumberland, and he himself rode in the midst of them. Then the
tune fell more mournful and slow, and Flodden lay before him. He saw the
flower of the Scots gentry around their King, gashed to the breast-bone,
still fronting the lines of the south, though the paleness of death sat
on each forehead. "The flowers of the Forest are gone," cried the lilt,
and through the long years he heard the cry of the lost, the desperate,
fighting for kings over the water and princes in the heather. "Who
cares?" cried the air. "Man must die, and how can he die better than in
the stress of fight with his heart high and alien blood on his sword?
Heigh-ho! One against twenty, a child against a host, this is the
romance of life." And the man's heart swelled, for he knew (though no
one told him) that this was the _Song of Lost Battles_ which only the
great can sing before they die.
Public-domain text, read in full here on John Shaqi.
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