A middle-aged woman stood on a rock above the tide, holding a small
lantern. In its thin flicker he made out a person with the air and dress
of a French maid. She cast one glance at Vernon, and then turned wearily
to the other. "Fool, Mitri!" she said. "You have brought a peasant."
"Nay," said the old man, "he is no peasant. He is a Signor, and as I
judge, a man of his hands."
The woman passed the light of her lantern over Vernon's form and face.
"His dress is a peasant's, but such clothes may be a nobleman's whim. I
have heard it of the English."
"I am English," said Vernon in French.
She turned on him with a quick movement of relief.
"You are English and a gentleman? But I know nothing of you, only that
you have come out of the sea. Up in the House we women are alone, and my
mistress has death to face, or a worse than death. We have no claim on
you, and if you give us your service it means danger--oh, what danger!
The boat is waiting. You have time to go back and go away and forget
that you have seen this accursed place. But, O Monsieur, if you hope for
Heaven and have pity on a defenceless angel, you will not leave us."
"I am ready," said Vernon.
"God's mercy," she sighed, and, seizing his arm, drew him up the steep
causeway, while the old man went ahead with the lantern. Now and then
she cast anxious glances to the right where the little fires of the
fishers twinkled along the shore. Then came a point when the three
entered a narrow uphill road, where rocky steps had been cut in a
tamarisk thicket. She spoke low in French to Vernon's ear,--
"My mistress is the last of her line, you figure; a girl with a wild
estate and a father long dead. She is good and gracious, as I who have
tended her can witness, but she is young and cannot govern the wolves
who are the men of these parts. They have a long hatred of her house,
and now they have it rumoured that she is a witch and blights the crops
and slays the children. No one will look at her; the priest--for they
are all in the plot--signs himself and crosses the road; the little ones
run screaming to their mothers. Once, twice, they have cursed our
threshold and made the blood mark on the door. For two years we have
been prisoners in the House, and only Mitri is true. They name her
Basilissa, meaning the Queen of Hell, whom the ancients called
Proserpine. There is no babe but will faint with fright if it casts eyes
on her, and she as mild and innocent as Mother Mary...."
Public-domain text, read in full here on John Shaqi.
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