The Watchers of the Plains: A Tale of the Western PrairiesCullum, Ridgwell
General
The Watchers of the Plains: A Tale of the Western Prairies
Cullum, Ridgwell
Western stories
He sweeps on in a torrential flow of passion, and those who listen are
roused at once to a savage enthusiasm. There are no interruptions. The
oration is received in complete silence. These are Indians taken into
their sovereign's council; they are there to hear while the young brave
pronounces, with all the fire of his ardent, aboriginal nature, the doom
of their white masters.
The wise men of the council are grouped together and sit aloof. They sit
like mummies, smoking, and with every appearance of indifference. But
their ears are wide open. One alone displays interest, and it is
noticeable that he is different from all the rest of the aged group. He is
younger. He has blue eyes and fair hair, and his skin is pale. Yet he,
too, is blanketed like his companions. He listens acutely to the end of
the speech. Then he silently moves away, and, unheeded, becomes lost in
the adjacent woods.
As the chieftain's last words die away the men of "med'cine" rise from
their groveling attitude and a fresh dance begins. But this time it is not
confined to the clearing. It is one which launches them into the midst of
the audience. Hither and thither they caper, and from their tracks emerge
a number of very young men. It might be that this is the "Dance of
Selection," for it undoubtedly has the result of bringing forth a number
of striplings from the ranks of the onlookers.
The dancers have made the complete circuit, and about one hundred young
men, little more than boys, join in the great Sun-dance.
Now ensues one of the most terrible scenes of human barbarity conceivable.
In the course of the dance the "med'cine" men seize upon each of the
willing victims in turn. On the breast of each boy incisions are made with
long, keen knives; two parallel incisions on each side of the chest. The
flesh between each two of these is then literally torn from the underlying
tissues, and a rough stick is thrust through the gaping wounds. So the
would-be brave is spitted.
Now a rawhide rope is attached to the centre of the stick, the end of it
is thrown over the gnarled limb of one of the trees in the centre of the
clearing, and the youth is lifted from the ground and remains suspended,
the whole weight of his body borne by the two straps of bloody flesh cut
from his chest.
The dance proceeds until each youth is spitted and suspended from the
central cluster of trees, then, with one accord, the men of the audience
break from their places and join in the war-dance. They dance about the
victims with a fierce glee like hundreds of fiends; they beat them, they
slash them with knives, they thrust lighted brands upon the fresh young
flesh till it blisters and throws out nauseous odors. Their acts are acts
of diabolical torture, inconceivably savage. But the worst agony is
endured in desperate silence by each victim. That is, by all but one.
Out of all the number hanging like dead men upon the trees only one youth
finds the torture unendurable.
Public-domain text, read in full here on John Shaqi.
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