With an impulse of defiant anger Claude went to the writing-table,
snatched up the music sheets which lay scattered upon it, tore them
across and across. There should be an end to it, an end to austere
futilities which led, which could lead, to nothing. In that moment of
unnatural excitement he saw all his past as a pale eccentricity. He was
bitterly ashamed of it. He regretted it with his whole soul, and he
resolved to have done with it.
Brushing the fragments of manuscript off on to the floor he sat quickly
down at the table. Something within him was trying to think, to reason,
but he would not let it. He saw Charmian's eyes, he heard her quick
whisper through the applause. She knew for him, as Madame Sennier had
known for her husband. Often others know us better than we know
ourselves. The true wisdom is to banish the conceit of self, to trust to
the instinct of love.
He took a pen, leaned over the table, wrote a letter swiftly, violently
even. His pen seemed to form the words by itself. He was unconscious of
guiding it. The letter was not long, only two sides of a sheet. He
blotted it, thrust it into an envelope, addressed, closed, and stamped
it, got up, took his hat, and went out of the studio.
In a moment he was in the deserted road. The large policeman, who had
eyed him with such grave suspicion, was gone. No one was in sight. The
silver of the moonlight had given place to a faint grayness, a weariness
of the night falling toward the arms of dawn.
Claude walked swiftly on, turned the corner, and came into the
thoroughfare which skirts Kensington Gardens and the Park. Some fifty
yards away there was a letter box. He hurried toward it, driven on by
defiance of that within him which would fain have held him back, by the
blind instinct to trample which sometimes takes hold of a strong and
emotional nature in a moment of unusual excitement.
"The great refuser! No, I'll not be that any longer."
As he drew near to the letter box he felt that till now he had been a
composer. Henceforth he would be a man. He had lived for an art.
Henceforth he would live for life, and would make life feel his art.
He dropped his letter into the box.
In falling out of his sight it made a faint, uneasy noise.
Claude stood there like one listening.
The grayness seemed to grow slightly more livid over the tree-tops and
behind the branches. The letter did not speak again. So he thought of
that tiny noise, as the speech of the dropping letter. It must have slid
down against the side of the box. Now it was lying still. There was
nothing more for him to do but to go home. Yet he waited before the
letter box, with his eyes fixed upon the small white plaque on which was
printed the time of the next delivery--eight-forty A.M.
Public-domain text, read in full here on John Shaqi.
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