Since her meeting with Jacob Crayford her mind had run perpetually on
opera. She could not forget his words, spoken with the authority of the
man who knew, "Opera's the only thing nowadays, the only really big
proposition." She could not forget that he had left England to "put
Europe through his sieve" for a composer who could stand up against
Jacques Sennier. What a chance there was now for a new man. He was being
actively searched for. If only Claude had written an opera! If only he
would write an opera now!
Charmian never doubted her husband's ability to do something big. Her
instinct told her that he had greatness of some kind in him. His music
had deeply impressed her. But she was sure it was not the sort of thing
to reach a wide public. It seemed to her against the trend of taste of
the day. There was an almost terrible austerity in it, combined, she
believed, with great power and originality. She longed to hear some of
it given in public with the orchestra and voices. She had thought of
trying to "get hold of" one of the big conductors, Harold Dane, or
Vernon Randall, of trying to persuade him to give Claude a hearing at
Queen's Hall. Then a certain keen prudence had held her back. A voice
had whispered, "Be patient!" She realized the importance of the first
step taken in public. Jacques Sennier had been utterly unknown in
England. He appeared as the composer of the _Paradis Terrestre_. If he
had been known already as the composer of a number of things which had
left the public indifferent, would he have made the enormous success he
had made? She remembered Mascagni and his _Cavalleria_, Leoncavallo and
his _Pagliacci_. And she was almost glad that Claude was unknown. At any
rate, he had never made a mistake. That was something to be thankful
for. He must never make a mistake. But there would be no harm in
arousing a certain interest in his personality, in his work. A man like
Jacob Crayford kept a sharp look-out for fresh talent. He read all that
appeared about new composers of course. Or someone read for him. Even
"that dreadful Miss Gretch's" lucubrations might come under his notice.
Public-domain text, read in full here on John Shaqi.
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