Mr. Crayford did not care very much about the song. A song was not a big
proposition, and he was accustomed to think in operas. But his fondness
for Lake, and Lake's boyish enthusiasm for Claude, led him to pay some
attention to the latter. He was a busy man and did not waste much time.
But he was a sharp man and a man on the look-out for talent. Apparently
this Claude Heath had some talent, not much developed perhaps as yet.
But then he was young. In Claude's appearance and personality there was
something arresting. "Looks as if there might be something there," was
Crayford's silent comment. And then he admired Charmian and thought her
"darned cute." He openly chaffed her on her careful silence about her
husband's profession when they had met at Mrs. Shiffney's. "So you
wanted to know the great fighter, did you?" he said, pulling at the
little beard with a nervous hand, and twitching his eyebrows. "And if he
hadn't happened to have one opera house, and to be thinking about
running up another, much you'd have cared about his fighting."
"My husband is not a composer of operas, Mr. Crayford," observed
Charmian demurely.
From Alston Lake had come the urgent advice to Claude to try his hand on
an opera.
Jacques Sennier and his wife, fresh from their triumphs in America, had
come to London again in June. The _Paradis Terrestre_ had been revived
at Covent Garden, and its success had been even greater than before.
"Claude, you've simply got to write an opera!" Lake had said one night
in his studio.
Charmian, Claude, and he had all been at Covent Garden that night, and
had dropped in, as they sometimes did, at the studio to spend an hour on
their way home. Lake loved the studio, and if there were any question of
his going either there or to the house in Kensington, he always "plumped
for the studio." They "sat around" now, eating sandwiches and drinking
lemonade and whisky-and-soda, and discussing the events of the evening.
"I couldn't possibly write an opera," Claude said.
"Why not?"
"I have no bent toward the theater."
Alston Lake, who was long-limbed, very blond, clean-shaved, with gray
eyes, extraordinarily smooth yellow hair, and short, determined and
rather blunt features, stretched out one large hand to the cigar-box,
and glanced at Charmian.
"What is your bent toward?" he said, in his strong and ringing baritone
voice.
Claude's forehead puckered, and the sudden distressed look, which Mrs.
Mansfield had sometimes noticed, came into his eyes.
"Well--" he began, in a hesitating voice. "I hardly know--now."
"Now, old chap?"
"I mean I hardly know."
"Then for all you can tell it may be toward opera?" said Alston
triumphantly.
Public-domain text, read in full here on John Shaqi.
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