"I can get there pretty well now, don't you think?"
"Splendid! Your voice gets bigger and bigger!" she said, with real
enthusiasm. "But it's almost--"
He stopped her.
"I know what you're going to say; but I shall always be a baritone. If
you knew as much as I do about baritones turned into tenors, you'd say,
'Leave it alone, my boy!' and that's what I'm going to do. Now what
about these flowers? It is good to be here."
Claude did not join Alston Lake in making holiday. Indeed, Charmian
noticed that he was working much harder than usual, as if Lake's coming
had been an incentive to him.
"I don't apologize to you, Alston," he said.
"Odd if you did when I was the first to try and set you on to an opera.
Besides, you can't get ahead too fast now. There's--"
He stopped.
"Crayford'll be over this summer," he remarked, giving a casual tone to
his voice.
"Ah!" said Claude.
And the conversation dropped.
Only in the early morning, and for an hour, or an hour and a half after
lunch, did Claude intermit his labors. In the morning the three of them
rode, on good horses hired from the Vitoz stables. After lunch they sat
in the little court of the fountain, smoked and talked. Conversation
never flagged when Alston was there. His young energy bred a desire for
expression in those about him. And Charmian and Claude were now his most
intimate friends. He identified himself with them in a charming way, was
devoted to their fortunes, and assumed, without a trace of conceit,
their devotion to his. When Claude, about three o'clock, got up and went
away to his workroom Alston often went off for a stroll alone. Between
tea and dinner time, if Charmian had no engagement, she and Alston
walked together in the scented Bois de Boulogne, past "Tananarivo," or
drove down to the Jardin d'Essai, and spent an hour there near the
shimmering sea.
In these many intimate hours Charmian learnt to appreciate the chivalry
and delicacy peculiar to well-bred American men in their relations with
women. Although she and Alston were both young, and she was an
attractive woman, she felt as safe with him as if he were her brother.
His life in Paris had left him entirely unspoiled, had even left him in
possession of the characteristic and open-hearted naivete which was one
of his chief attractions, though he was quite unaware of it. She was
very happy with Alston. But often she thought of Claude, far away on the
hill, shut in, resigning all this freedom, this delicious open-air life,
which she was enjoying with his friend.
"He's working almost too hard," she said one day when they were sitting
in the Jardin d'Essai, "and he will work at night now. He never used to
do that. Don't you think he's beginning to look rather white and worn
out?"
She spoke with some anxiety.
Public-domain text, read in full here on John Shaqi.
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