"I might when I got him before a New York audience. But you are more likely to know to-night." "I have got rather a flair, I believe. Now--I'll taste the new work." She did not speak again, but gave herself up to attention, though her mind was often with the woman in the sealskin coat who sat so near to her. Had Claude said anything to that woman? There was very little to say. But--had he said it? She wondered on what terms Charmian and Claude were, whether the Puritan had ever found any passion for the Charmian-creature. Claude's music broke in upon her questionings. Mrs. Shiffney had a retentive as well as a swift mind, and she remembered every detail of Gillier's powerful, almost brutal libretto. In the reading it had transported her into a wild life, in a land where there is still romance, still strangeness--a land upon which civilization has not yet fastened its padded claw. And she had imagined the impression which this glimpse of an ardent and bold life might produce upon highly civilized people, like herself, if it were helped by powerful music. Now she listened, waited, remembering her visits to Mullion House, the night in the cafe by the city wall when Said Hitani and his Arabs played, the hour of sun in the pine wood above the great ravine, other hours in New York. There was something in Heath that she had wanted, that she wanted still, though part of her sneered at him, laughed at him, had a worldly contempt for him, though another part of her almost hated him. She desired a fiasco for him. Nevertheless the art feeling within her, and the greedy emotional side of her, demanded the success of his effort just now, because she was listening, because she hated to be bored, because the libretto was fine. The artistic side of her nature was in strong conflict with the capricious and sensual side that evening. But she looked--for Jonson Ramer--coolly self-possessed and discriminating as she sat very still in the shadow. "That's a fine voice!" murmured Ramer presently. Alston Lake was singing. "Yes. I've heard him in London. But he seems to have come on wonderfully." "It's an operatic voice." When Alston Lake went off the stage Ramer remarked: "That's a fellow to watch." "Crayford's very clever at discovering singers." "Almost too clever for the Metropolitan, eh?" "Enid Mardon looks wonderful." Silence fell upon them again. The dressmaker had got up from her seat and slipped away into the darkness, after examining Enid Mardon's costume for two or three minutes through a small but powerful opera-glass. Charmian was now quite alone.