The Way of the Air: A Description of Modern AviationMiddleton, Edgar Charles
History
The Way of the Air: A Description of Modern Aviation
Middleton, Edgar Charles
Aeronautics, Military; World War, 1914-1918 -- Aerial operations
Compasses, electric light torches and maps were dragged hurriedly from
their hiding-places in lockers. A general bearing was taken of the
enemy’s course, and we ran out on to the aerodrome, where a searchlight
had already begun to work, sending long, scintillating beams of light
across the dark night sky, turning and twisting, first in one quarter,
then in another, covering the heavens in the twinkling of an eye, but
never disclosing the true object of its search.
At last there is a shout from one of the men by the light. He had
discovered the whereabouts of the Zeppelin. Yes! there she is! A long,
gray, cigar-shaped object far up in the clouds.
We hurried across to the machine, and while I examined the bombs in the
bomb-rack beneath the fuselage (body), and attended to the fitting-in
of the Lewis-gun, the pilot tested the engine. And before five minutes
had elapsed since the first alarm we were off the ground.
Who can well and truly describe the sensations of night flying?
Suddenly one is hurled from the ground into an unbounded space of
darkness at the rate of fifty miles an hour. It is like jumping off a
cliff on a dark night and plunging on and on, one knows not where. It
is impossible to see beyond one’s nose, and the only thing that seems
real and natural is the incessantly loud hum of the engine. It is a by
no means pleasant task.
Leaving the ground we miss a roof-top by inches, and, feeling
considerably shaken, climb rapidly. At first it is dark, pitch dark.
We see nothing, we know not where we are. One would lose one’s reason
were it not for the hum of the racing engine.
At last there breaks through the long shadows of darkness, beneath us,
a long, narrow, winding ribbon of shimmering gray. The young moon has
broken through the clouds and the reflection of its light upon the
water gives us the position of the river. On either side or moving
slowly along the surface are small pin-pricks of colored lights; I
switch on my electric light in front of the observer’s seat, glance at
the altimeter, and discover that we are already 500 feet up.
The glare of that light, feeble though it be when contrasted with the
black darkness of the atmosphere around, has got into my eyes, and for
a moment or two I can distinguish absolutely nothing. Then lights begin
to make themselves visible.
The street lamps can easily be distinguished; as being darkened at the
top the light is concentrated downwards in a circle onto the pavement
beneath, which serves the purpose of reflecting it heavenwards and
upwards. The main streets can be picked out by the two parallel lines
of colored lights; the windows of shops, the lights of which have been
covered with red and green shades.
Public-domain text, read in full here on John Shaqi.
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