"All these were of costly stones, according to the measures of hewed
stones," she heard him say in the dream, "sawed with saws within and
without. Even from the foundation unto the coping, and so on the
outside toward the great court."
Cyclona sat up in her bed with a start and slept no more.
So it was the beautiful house that she was to build, of course.
Wondering how it was she had not thought before of carrying out Seth's
dearest wish without waiting to be reminded of it in a dream,
reproaching herself, condemning her selfishness, marvelling how she
could for a moment have considered this money her own which she simply
held in trust for Celia and Seth.
Thereafter, Hugh, in spite of his deep affection for her, became
occasionally somewhat exasperated with Cyclona, who all at once
developed such peculiar ideas in regard to the building of the house,
ideas gathered from an old and yellow plan resurrected from the leaves
of a well-thumbed Bible brought from the dugout.
"Cedar!" he cried, "Must we bring cedar all the way from the South?
It will cost a fortune. Why not use some other wood? There are others
as beautiful."
"We will use cedar," determined Cyclona without further explanation,
and cedar they used, carved curiously in pomegranate and lily work,
very beautiful, Hugh had to acknowledge, though the expense was more
than it should have been, no matter how much money a young woman had
to throw to the birds.
"Shall we have so many windows?" he asked as Cyclona ordered window
after window, according to the old yellow plan.
"There must be no dark spot in all this house," decided Cyclona, and
when it was finished there was not. Built of stone brought from great
distances, stone of delicate pink from Tennessee, carved, wide of
door, alight with windows, it was a marvel to those who came and stood
by, watching the building of it.
"A beautiful house," they called it. "A beautiful house!"
There was no word of Seth in regard to the beautiful house that
Cyclona failed to remember.
"This is the stairway," she heard him say, "up which Celia shall trail
in her silks and her velvets. This is the threshold her little feet
shall press, and here is the low divan before a wide and sunny window
where she shall sit and thrum on her guitar."
Public-domain text, read in full here on John Shaqi.
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